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Claire Tabouret

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  1. Claire Tabouret– Teguy and Terrin in the garden 簽名海報 by Claire Tabouret, Image 1.

    Claire Tabouret

    Claire Tabouret– Teguy and Terrin in the garden 簽名海報

    ¥ 12,800

  2. Claire Tabouret– Teguy and Terrin 海報 by Claire Tabouret, Image 1.

    Claire Tabouret

    Claire Tabouret– Teguy and Terrin 海報

    70 x 50 cm (27.56 x 19.69 in)

  3. Claire Tabouret– Teguy and Terrin 簽名海報 by Claire Tabouret, Image 1.

    Claire Tabouret

    Claire Tabouret– Teguy and Terrin 簽名海報

    ¥ 12,800

  4. Claire Tabouret– The siblings 海報 by Claire Tabouret, Image 1.

    Claire Tabouret

    Claire Tabouret– The siblings 海報

    ¥ 3,800

  5. Claire Tabouret– The siblings 簽名海報 by Claire Tabouret, Image 1.

    Claire Tabouret

    Claire Tabouret– The siblings 簽名海報

    ¥ 12,800

  6. Claire Tabouret– Zino and enea 海報 by Claire Tabouret, Image 1.

    Claire Tabouret

    Claire Tabouret– Zino and enea 海報

    ¥ 3,800

  7. Claire Tabouret– Zino and enea 簽名海報 by Claire Tabouret, Image 1.

    Claire Tabouret

    Claire Tabouret– Zino and enea 簽名海報

    ¥ 12,800

  8. Clare Tabouret X Alex Somers X Aska Matsumia "Light Past Blue" record by Claire Tabouret, Image 2.

    Claire Tabouret

    Clare Tabouret X Alex Somers X Aska Matsumia "Light Past Blue" record, 2021

    30 x 30 x 2 cm (11.81 x 11.81 x 0.79 in)

  9. Self-portraits at the table (orange) by Claire Tabouret, Image 2.

    Claire Tabouret

    Self-portraits at the table (orange), 2020

    平版印刷 offset print, paper

    70 x 50 cm (27.56 x 19.69 in)

Claire Tabouret studied at the École des Beaux-Arts, Paris. Motivated by a sensitivity to the passing of time and the floodgates of vulnerability opened by human relationships, Tabouret’s painting practice is paced between periods of productive urgency and quiet reflection, and animated by layers, fabrics, and full, loose brushstrokes. Her hydrous palette is suspended somewhere in the ether between the synthetic hues of makeup and subdued tones of the earth, simultaneously referencing the natural and artificial ingredients of representation. Tableaux depicting bodies in confrontation, portraits, paintings of assemblies of people from young debutants to migrants at sea, and landscapes are often washed in color fields, alternately evoking the possibility of anywhere and site specificity. For her monotypes, Tabouret utilizes the phantom stains left by the press to develop transparency and opacity in her portrayals of conflict, sexuality, and desire.