阿咧作品最獨特之處，在其造型和情緒層面的強烈 “表現力”， 這種力量溯源於二：
一是自童年開始對於動漫、機器人和玩具的熱愛，賦予阿咧的作品各自展現截然不同的角色獨立性、和情節故事性。其次，受到奧地利表現主義畫家席勒（Egon Schiele, 1890 ~ 1918）作品中充滿神經質、壓迫感、和奇特扭曲的畫作視角等風格影響，也讓阿咧作品中的角色姿態和情感充滿張力。動漫和席勒，看似截然矛盾，卻都是挑動他情緒的觸媒。
阿咧熱愛玩具，特別是怪獸，他認為“怪獸”往往被刻板地視為正義的對立面，但他會不自覺站在怪獸的立場，對他們的處境表示同情，這反而導致他對怪獸的特殊喜愛。
阿咧希望，藉由創作出情緒感染力強烈的怪奇生物 ，挑戰人們對於貌似醜露、又不具價值的存在提出質疑，並打破對立。
YehHsin-Hong, knownsas A-Lei describes himself as “bystander”. The word “A-Lei” is derived from the Japanese word "あれ" (that is). What he observes is everything he has personally experienced around his life, such as: roadblocks on urban roads, inconspicuous corners in architectural spaces, or random stacking plates on dining tables. A-Lei is good at using these fleeting but ubiquitous life moments as the starting point for the flash of inspiration, and then developing his own image universe with his own feelings and boundless imagination.
The most unique aspect of A-Le’s work is the overwhelming expression in its shape and emotion. This power can be traced back to two inspirations. The first is his passion to animation, robots and toys since childhood, which resulting in individual and unique character with fancy plot story in his works. Secondly, influenced by the neurotic, oppressive and peculiarly distorted painting perspectives in the works of Austrian expressionist painter EgonSchiele(1890-1918), the posture and emotion of the characters in A-Le’s work s are full of tension. Anime and Schiller, seemingly contradictory, are both catalysts that stir his emotions.
A-Lei posses great love to toys, especially to monsters. He considers that "monsters" are often regarded as the evil opposite of justice, but he would unconsciously stand in the position of monsters and express sympathy for their states of being.
A-Lei hopes that by creating strange, grotesque creatures with strong emotional appeal, it will challenge people to question the seemingly ugly and worthless existence and break the opposition.
展覽
2020 "登峰造極" Art Taipei 台北藝術博覽會, 意識畫廊, 台北, 台灣
2019 「宇宙常遇」個展，意識畫廊，台北台灣
2019 「陸上行舟」個展，新北市立鶯歌陶瓷博物館，台北台灣
2018 「UMA未確認生命體」，意識畫廊，台北台灣
2017 阿咧的怪獸嗚～托邦Bhome,台北
2017 福爾摩莎藝術博覽會松菸展覽場,台北
2016 高雄藝術博覽會 高雄駁二,高雄
2016 有什麼好奇怪－陶瓷妖怪特展
2015 Re咧tionship - 2阿咧先生(葉信泓)個展
2015 福泰桔子商旅桔子人設計
2014 怪獸冒險樂園駁二藝文特區聯展
2014 dpi設計雜誌陶偶創作專題企畫
2013 愛你一生一世：動漫美學雙年展／高雄市立美術館
2013 第十屆台北國際玩具創作大展
2012 藝術節插畫展5/23～6/5 「愛‧生活」聯展／中國蘇州久光百貨
2012 電影不倒翁的奇幻旅程角色設定、道具製作，繪本繪製
2012 Onon公共藝術展駁二藝文特區
2011 粉樂町／東區50好店展覽
獲獎紀錄
2016 台灣陶藝「陶藝創作獎」入選
2015 第二屆青年陶藝雙年展入圍
2008 設計師玩具比賽大賞─金賞
2005 設計師玩具比賽大賞─金賞
Education
1999 National Taiwan University of Arts / Department of Fine Arts/ Painting
Solo Exhibitions
2019 Universe Sanyu, YesArtGallery, Taipei
2019 Land Boat, YinggeCeramics Museum, New Taipei City
2018 Uniden2fied Mysterious Animal, Yesart Gallery, Taipei
2018 TTF Art Toy Art Fair, Taipei
2017 A-Lei’s Monster Topia, BhomeBoutique, Taipei
2015 Relationship-2, FubonArt Foundation, Taipei
Group Exhibitions
2020 Art Taipei, Taipei World Trade Center, Taipei
2017 Formosa Art Show, SongshanCultural & Creative Park, Taipei
2016 Art Kaohsiung, Kaohsiung, Taiwan
2014 Monster Park, Kaohsiung, Taiwan
2013 LOVE LOVE AnimamixBiennalein, Kaohsiung Museum of Fine Arts
2013 10th Taipei Toy Festival
2012 Art Festival Illustration「love ‧ life」Exhibition, Suzhou, China
2012 OnonPublic Art Exhibition at Pier-2 Art Center, Kaohsiung
Award
2017 Nominee of Taiwan Young Pottery Artist Award & Biennale
2016 Nominee of Taiwan Ceramics Awards Competition
2008 Winner of Golden Medal at “Taiwan Art Toy Award”
Collection
Institute Collection: FubonArt Foundation
Enterprise Collection: DoYouBoIndustry CO, LTD