This was an exercise of building a piece to specifications written by another person. My professor drew up the sketch with measurements, and I executed it with my own choices for how it would be built and how I would treat the surface. I gave the piece a bruised silver finish so it would reflect the craters and textures of the moon's surface. I chose this as the aesthetic theme of the ring because of the crescent, domed form in the original design.
Additional Artworks
From Cecelia Plympton
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3am (Goodnight Studio), 2025
Aluminum, copper, vitreous enamel, sunshine paints, fine silver, steel
4.5 x 1.5 x 0.25 in (11.43 x 3.81 x 0.64 cm)
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Guiding Myself Back from the Disconnect, 2025
Aluminum, copper, vitreous enamel, sunshine paints, fine silver, steel
4.5 x 3.5 x 0.25 in (11.43 x 8.89 x 0.64 cm)
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Pontamine, 2024
Sterling Silver, Copper, Vitreous Enamel
2 x 1.5 x 0.5 in (5.08 x 3.81 x 1.27 cm)
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Generations of Care, 2024
Copper, Vitreous Enamel, Sunshine Paints
1.25 x 1.25 x 0.12 in (3.18 x 3.18 x 0.3 cm)
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what's next, 2024
Copper, Vitreous Enamel, Sunshine Paints
2 x 1.5 x 0.25 in (5.08 x 3.81 x 0.64 cm)
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Nurturing 0, 2024
Copper, Glass Enamel, Sunshine Paints
3.5 x 1.5 x 0.08 in (8.89 x 3.81 x 0.2 cm)
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Focus, 2024
Silver, Copper, Glass Enamel, Piano Wire
4 x 2.5 x 0.5 in (10.16 x 6.35 x 1.27 cm)
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Horsey, 2024
Bronze
1.75 x 2.75 x 0.5 in (4.45 x 6.99 x 1.27 cm)