This collection of work builds on themes from past years but adds new layers that come from connecting my abstracted landscapes to elements from my personal life. The real landscape around me has been crucial to building a thriving life for myself from an assortment of pieces, and this series explores those feelings. 

I've been making many, many tiny ink pencil paintings -- about 50 of them between February and April of 2026 so far. I've selected the ten best from these to make available as tiny matted paintings, ready to frame. Each one is a unique ink pencil painting (and in some cases, ink pencil and gouache). 

Each painting is 3" x 3", done on hand-torn watercolor paper for some, and on others hand-cut watercolor paper with rounded corners. They're matted in a 6" x 6" mat. 

I've titled each and every painting myself. (I don't use AI to title my paintings; I consider every title "given" to me by the painting.) Each one is signed on the front and dated and titled on the back. The piece is mounted with archival linen mounting tape on a conservation-quality mat. 

Tiny representations of the “good bones” of the Pacific Northwest: the forests that knit together the Cascade foothills where I live.