Selection of abstract paintings.
Collections
"Holding On" is a new series of mixed-media works exploring the themes of fragmentation and the use of fasteners to hold visual elements together. With the aid of staples, wire, bolts, and rope, these broken works are vulnerable, but have an imperfect beauty that impart character and uniqueness.
In ancient times artisans used to save pottery by stapling the broken pieces together with rivets (a craft known as Ju Ci in China and Kintsugi in Japan). I thought of this mending as a perfect metaphor to depict entropy (a concept most commonly associated with a state of disorder, randomness, or uncertainty). In our youth our lives are geared towards accumulating, building and expending. As we we age, we start to loose relationships, slow down and try to hold on to what we have. In many ways, these works are an abstract reminder of what it means to be a human being - all of us have physical imperfections and emotional scars that makes us who we are. Part of aging is trying to hold on to what we know, love and cherish as long as we can.
In ancient times artisans used to save pottery by stapling the broken pieces together with rivets (a craft known as Ju Ci in China and Kintsugi in Japan). I thought of this mending as a perfect metaphor to depict entropy (a concept most commonly associated with a state of disorder, randomness, or uncertainty). In our youth our lives are geared towards accumulating, building and expending. As we we age, we start to loose relationships, slow down and try to hold on to what we have. In many ways, these works are an abstract reminder of what it means to be a human being - all of us have physical imperfections and emotional scars that makes us who we are. Part of aging is trying to hold on to what we know, love and cherish as long as we can.
A selection of representational works.
The “Waterlilies” series is my contemporary homage to Claude Monet’s iconic series and represents my abstract interpretation of the emotional state we all suffered through the pandemic. These mixed media paintings, attempt to capture the sense of solitude and the fragility of our social connections that defined those uncertain years.
During the pandemic we found ourselves thrust into isolation, confined to our homes and limited to interactions through digital screens. The giant colorful ovals represent the Victoria Amazonica water lily pads - the vibrant colors and textured layers illustrate the feeling between light and darkness, the safety and the unstable.
Like these lilies, we all became passengers floating in a serene, yet transient and unsteady environment, interconnected yet isolated. We all experienced the fear of the unknown, the anxiety about our loved one’s health and safety, and the overarching sense of loss for the normalcy we once took for granted.
Communication became both a lifeline and a paradox. While separated physically into “family pods”, the technology provided us a two-dimensional window to socialize with the rest of the world. Video calls, messages, and social media became tools for connection. Like floating on lily pads, we lived simultaneously close and yet apart; able to voice our fears and triumphs but discouraged to touch or embrace.
I purposely created this series to be a positive affirmation of the human spirit. Just as the water lilies must adapt to their surroundings and flourish, we had to learn to find beauty in our confinement, crafting new routines, reinventing ourselves through new hobbies and talents, and discovering our most inner selves again.
By revisiting Monet’s legacy through a contemporary lens, I hope to evoke a sense of empathy and shared humanity, reminding us that even in isolation, we are never truly alone. We may float separately, but together we can still be resilient and flourish.
