Art is a way of returning to memory, to interior life, and to what remains quietly alive beneath the surface. My work uses abstraction as a means of holding what is difficult to name, allowing color, gesture, and layered surfaces to carry emotional and spiritual weight.

I am interested in how identity, protest, and solidarity are shaped not only through visible action, but through endurance, care, and quiet persistence. My paintings explore imagined emotional landscapes where memory and presence overlap, inviting viewers to slow down and remain with what they encounter rather than resolve it. Meaning emerges gradually, through repetition, restraint, and return.

My practice is informed by a long career as a psychologist and writer, which has shaped how I attend to pacing, listening, and interior experience. In both disciplines, attention matters more than outcome. I approach the canvas as a site of presence rather than mastery, allowing gestures to emerge, recede, and reappear. Marks are layered, revised, and sometimes erased, leaving traces that suggest both resistance and tenderness.

Across my recent work, I continue to explore how collective struggle is often carried quietly through shared endurance, reflection, and care. Each painting becomes an invitation to pause, to witness, and to consider what remains possible when we stay present with ourselves and one another.