Working across Tyvek, Yupo, and Arches paper, the paintings employ positive and negative space as active elements, where suggestion and restraint allow imagery to remain distilled rather than descriptive. The material qualities of each surface—synthetic, translucent, and absorbent—shape how forms emerge and recede, adding meaning and purpose to the work. Through this interplay of materiality and absence, the imagery remains open, inviting perception rather than prescribing it.