This collection consists of my studies after great masters of European and international painting. Copying these works allowed me to explore different approaches to light, form, color, and composition across styles ranging from Baroque to Impressionism and modern landscape traditions. Each study reflects both technical practice and a dialogue with art history.

This collection is dedicated to the places I have visited and the memories tied to them. Each painting is based on my own travel experiences and photographs, capturing the atmosphere, colors, and spirit of landscapes and cityscapes from different parts of Europe. From Icelandic rock formations and Austrian mountain trails to the narrow streets of Piran and the canals of Venice, the works reflect both the beauty of the natural world and the charm of historic towns. Together, they form a visual diary of journeys shared with my family, celebrating the desire to explore, discover, and remember.

This collection brings together five landscapes inspired by Australia’s diverse natural beauty, painted during my journey with the Learn To Paint Academy. From tranquil rivers and hidden rainforest waterfalls to weathered rural sheds and the vivid coastal cliffs of the Coloured Sands, each scene captures a different face of the Australian environment. Through light, color, and texture—including the expressive use of the palette knife—these works celebrate the timeless spirit and striking contrasts of the Australian landscape.

In this ongoing series of oil paintings, I explore the timeless practice of classical figure painting. Each work studies the interplay of form, light, and gesture, capturing both anatomical precision and the expressive presence of the model. While rooted in traditional academic practice, the series seeks to reveal the individuality and strength of each subject.

This collection brings together two strands of my portrait painting: the deeply personal and the exploratory.

On one side are the portraits of my family and loved ones — works like Portrait of Bogi and Portrait of Eszti — where painting becomes not only a study of form and light, but also an act of closeness, preserving fleeting expressions and moments of intimacy. These works carry a personal warmth and emotional connection that go beyond likeness.

Alongside them are my portrait studies, often painted from tutorials or reference photographs found online. These studies allow me to explore technique, light, texture, and expression in different ways, pushing my skills and broadening my painterly language. While less personal in subject, they contribute to the growth of the personal works by honing the craft behind them.

My still life paintings revisit the classical tradition of arranging everyday objects under studied light. Each composition explores texture, form, and atmosphere, while emphasizing the interplay of shadow and color. By staging some of the arrangements myself, I connect personal vision with timeless painterly practice.

This collection brings together paintings that don’t quite belong to the other series. Each piece is playful, surreal, or personal in its own way—from the humorous twist of El GreCow, to the dreamlike interior of Beyond the Frame, and the whimsical charm of Lavender Ride. The collection celebrates experimentation, spontaneity, and the joy of painting without boundaries.