In 2007, Marold received international attention for The Windmill Project, a temporary landscape installation in Vail, Colorado, which seeded a local valley with a mass of light-generating turbines committed to capturing and visualizing the choreography of the wind through a unique landscape. In the last decade he has completed numerous public commissions including the 7 acre installation, Shadow Array, at Denver’s International Airport; as well as the sky and sound work, Solar Drones, located in Canada’s National Music Centre. Diversity in setting, scale, and technical realization have equipped him with the skill and interest to apply his vision across a broad range of sites while preserving a unity of vision.
Marold maintains a studio in Colorado, and continues working to refine specific relationships with space, inviting the viewer to consider specific conditions of landscapes and materials, and their impact on personal and communal perception.
