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  1. Always & Forever (forever ever ever) No. 3, Element #7 by Tammie Rubin, Image 2.

    Tammie Rubin

    Always & Forever (forever ever ever) No. 3, Element #7, 2016

    slipcast & handbuilt porcelain

    8.75 x 3.375 x 3.375 in

  2. Always & Forever (forever ever ever) No. 2, Element #13 by Tammie Rubin, Image 3.

    Tammie Rubin

    Always & Forever (forever ever ever) No. 2, Element #13, 2016

    slipcast & handbuilt porcelain

    10.5 x 3.75 x 3.75 in

  3. Always & Forever (forever ever ever) No. 2, Element #11 by Tammie Rubin, Image 2.

    Tammie Rubin

    Always & Forever (forever ever ever) No. 2, Element #11, 2016

    slipcast & handbuilt porcelain

    8.75 x 5.875 x 5.875 in

  4. Always & Forever (forever ever ever) No. 1, Element #12 by Tammie Rubin, Image 1.

    Tammie Rubin

    Always & Forever (forever ever ever) No. 1, Element #12, 2016

    slipcast & handbuilt porcelain

    10.375 x 3.75 x 3.76 in

  5. Always & Forever (forever ever ever) No. 1, Element #9 by Tammie Rubin, Image 2.

    Tammie Rubin

    Always & Forever (forever ever ever) No. 1, Element #9, 2016

    slipcast & handbuilt porcelain

    11.875 x 4 x 4 in

  6. Always & Forever (forever ever ever) No. 1, Element #4 by Tammie Rubin, Image 1.

    Tammie Rubin

    Always & Forever (forever ever ever) No. 1, Element #4, 2016

    slipcast & handbuilt porcelain

    10.125 x 5.5 x 5.5 in

  7. Variation on the Styler Tool comb #6 by Christina Coleman, Image 1.

    Christina Coleman

    Variation on the Styler Tool comb #6, 2014

    ceramic pick; black glazed and stylized ceramic comb; teeth are short and horizontal along the lower half of tool and bordered by four longer, pointed teeth on the top and bottom; the top portion is long and pointed

    7.75 in

  8. Variation on the Pick #5 by Christina Coleman, Image 1.

    Christina Coleman

    Variation on the Pick #5, 2014

    ceramic pick; dark gray matte and stylized ceramic pick; two outer teeth are high on either side, and a descending arc of teeth in between with a low point in the middle; handle has rounded edges at bottom with a small hole in center

    6 x 2.5 in

  9. Variation on the Pick #3 by Christina Coleman, Image 2.

    Christina Coleman

    Variation on the Pick #3, 2014

    ceramic

    6.5 x 2.5 in

  10. Untitled No. 102 by Deborah Roberts, Image 1.

    Deborah Roberts

    Untitled No. 102, 2014

    collage on paper

    14 x 11 in

  11. Mississippi God Damn by Michael Stevenson, Image 2.

    Michael Stevenson

    Mississippi God Damn, 2014

    acrylic on paper

    33.25 x 46.5 in

  12. Hose and Bitches by Michael Stevenson, Image 2.

    Michael Stevenson

    Hose and Bitches, 2014

    pencil, acrylic, and watercolor on paper

    10 x 41 in

  13. Hanging Haters by Michael Stevenson, Image 3.

    Michael Stevenson

    Hanging Haters, 2014

    mixed media mobile

    48 x 40 in

  14. Will I still carry water when I am a dead woman? by Wura-Natasha Ogunji, Image 1.

    Wura-Natasha Ogunji

    Will I still carry water when I am a dead woman?, 2013

    Single-channel digital video

  15. We The People:Get out, stay out (9.35) by Ricky Yanas, Image 1.

    Ricky Yanas

    We The People:Get out, stay out (9.35), 2013

    archival inkjet print mounted on sintra

    11 x 14 in

  16. Untitled (Eco styler, African Essence, Softee, Ampro Pro Styl) by Christina Coleman, Image 3.

    Christina Coleman

    Untitled (Eco styler, African Essence, Softee, Ampro Pro Styl), 2013

    Mixed Media

    61.25 x 41.25 in

  17. Untitled 2013, From the series St. Louis Cemetery No. 1 by John Pinderhughes, Image 1.

    John Pinderhughes

    Untitled 2013, From the series St. Louis Cemetery No. 1, 2013

    Archival pigment print

    20 x 20 in

  18. Untitled 1986 [From the series St. Louis Cemetery No. 1] by John Pinderhughes, Image 4.

    John Pinderhughes

    Untitled 1986 [From the series St. Louis Cemetery No. 1], 2013

    black and white photograph

    25 x 24 in

  19. Pin:SNCC pins (12.50) by Ricky Yanas, Image 1.

    Ricky Yanas

    Pin:SNCC pins (12.50), 2013

    archival inkjet print mounted on sintra

    11 x 14 in

  20. Nigeria Notebook [2] by Wura-Natasha Ogunji, Image 1.

    Wura-Natasha Ogunji

    Nigeria Notebook [2], 2013

    Mixed Media Collage

  21. Mama Duren: Tower and fist "Cover" (1.1) by Ricky Yanas, Image 2.

    Ricky Yanas

    Mama Duren: Tower and fist "Cover" (1.1), 2013

    archival inkjet print

    10 x 8 in

  22. Mama Duren: Black by Ricky Yanas, Image 2.

    Ricky Yanas

    Mama Duren: Black, 2013

    black matboard

    10 x 8 in

  23. Yesterday has already vanished among the shadows of the past; tomorrow has yet emerged from the future. (Sorrow) by Juan Capistran, Image 1.

    Juan Capistran

    Yesterday has already vanished among the shadows of the past; tomorrow has yet emerged from the future. (Sorrow), 2012

    archival pigment print

    36 x 24 in

  24. Yesterday has already vanished among the shadows of the past; tomorrow has yet emerged from the future. (Shame) by Juan Capistran, Image 1.

    Juan Capistran

    Yesterday has already vanished among the shadows of the past; tomorrow has yet emerged from the future. (Shame), 2012

    archival pigment print

    36 x 24 in

  25. Yesterday has already vanished among the shadows of the past; tomorrow has yet emerged from the future. (Passion and Feeling) by Juan Capistran, Image 1.

    Juan Capistran

    Yesterday has already vanished among the shadows of the past; tomorrow has yet emerged from the future. (Passion and Feeling), 2012

    archival pigment print

    36 x 24 in