“quando a água esgota, a gente dança” Da série CUIDADO! tudo o que é sólido [des]mancha n ́água”, 2023
Digital Photography triptych in black and white, Print on hahnemuhle photo rag 308g
43.3 x 65 in
Charlene Bicalho
“quando a água esgota, a gente dança” Da série CUIDADO! tudo o que é sólido [des]mancha n ́água”, 2023
Digital Photography triptych in black and white, Print on hahnemuhle photo rag 308g
43.3 x 65 in
Kemar Keanu Wynter
Jerk Pork, 2021
Oil stick, oil pastel, acrylic, charcoal, and grommets on green French cardstock / toner and graphite on Strathmore cardstock, stainless steel ticket holder
24.75 x 25 in
Kemar Keanu Wynter
Jerk Pork, 2021
Oil stick, oil pastel, acrylic, charcoal, and grommets on green French cardstock / toner and graphite on Strathmore cardstock, stainless steel ticket holder
24.75 x 25 in
Dave McClinton
Waitin' For The One Day, 2020
Digital collage as pigment print to archival paper
43 x 72 in
Dave McClinton
Waitin' For The One Day, 2020
Digital collage as pigment print to archival paper
43 x 72 in
Rahim Fortune
Praise Dancers, Edna, Texas, 2020; printed 2025
Gelatin silver print
30 x 40 in
Rahim Fortune
Praise Dancers, Edna, Texas, 2020; printed 2025
Gelatin silver print
30 x 40 in
June Edmonds
Innocence, 2020
Acrylic on canvas
36 x 48 in
June Edmonds
Innocence, 2020
Acrylic on canvas
36 x 48 in
Grupo OPNI
Energia, 2017
Montana Black spray paint on stretched canvas
60.25 x 72 in
Grupo OPNI
Energia, 2017
Montana Black spray paint on stretched canvas
60.25 x 72 in
Hakeem Adewumi
Untitled #58 [Haskell House], 2017
digital print
28.5 x 36 in
Hakeem Adewumi
Untitled #58 [Haskell House], 2017
digital print
28.5 x 36 in
Hakeem Adewumi
Untitled #42 [Stairs for Texas Confederate Home for Men], 2017
digital print
28.5 x 36 in
Hakeem Adewumi
Untitled #42 [Stairs for Texas Confederate Home for Men], 2017
digital print
28.5 x 36 in
Hakeem Adewumi
Untitled #27 [Minor Wilson's house, old wall of tools], 2017
digital print
28.5 x 36 in
Hakeem Adewumi
Untitled #27 [Minor Wilson's house, old wall of tools], 2017