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Additional Artworks

From VillageOne Art

  1. Shards of Serenity 3 by Min Huang, Image 1.

    Min Huang

    Shards of Serenity 3, 2024

    Blue and white porcelain

    15 x 12.5 in (38.1 x 31.75 cm)

  2. Standing by Yu Cheng, Image 2.

    Yu Cheng

    Standing, 2024

    Oil on canvas

    20 x 16 in (50.8 x 40.64 cm)

  3. Still Life Life series #01 by Xin Song, Image 1.

    Xin Song

    Still Life Life series #01, 2024

    Mixed material, watercolor and photo papercut collage

    32 x 24 in (81.28 x 60.96 cm)

  4. Still Life Life series #03 by Xin Song, Image 1.

    Xin Song

    Still Life Life series #03, 2024

    Mixed material, watercolor and photo papercut collage

    32 x 24 in (81.28 x 60.96 cm)

  5. Still Life Life series #02 by Xin Song, Image 1.

    Xin Song

    Still Life Life series #02, 2024

    Mixed material, watercolor and photo papercut collage

    32 x 24 in (81.28 x 60.96 cm)

  6. Saturn Venus Mars 3 by Emily Cheng, Image 1.

    Emily Cheng

    Saturn Venus Mars 3, 2024

    Flashe on canvas

    5.5 x 4.3 in (13.97 x 10.92 cm)

  7. Speed N Light by Timon I, Image 1.

    Timon I

    Speed N Light, 2024

    Oil on canvas

    20 x 16 in (50.8 x 40.64 cm)

  8. Sound of Harbor by Timon I, Image 1.

    Timon I

    Sound of Harbor, 2024

    Oil on canvas

    60 x 48 in (152.4 x 121.92 cm)

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About the artist

Heather Im

Heather Im born and raised in South Korea until she moved to the U.S. for college in 2005, Heather is trained in cultural anthropology with focus on Native American philosophy and visual arts. Her two decades of learning about and working with Native Americans as an applied anthropological ethnographer, together with her own upbringing as an Indigenous Korean, gradually and completely shattered her worldview that had been heavily Eurocentric and natural sciencedriven and reconfigured it to place Indigenous values at its core. In 2023, she started painting to creatively record and express her journey to retrace her Indigeneity and to reconnect with it. While her academic training in anthropology and Native American studies shaped her values and ideas, she believes that her training in fashion design has immense influence on the angular composition and vibrant color choices of her work.