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Cutting Snow 04, 2021

Additional Artworks

From VillageOne Art

  1. Door room 01 by Xinxin Din, Image 1.

    Xinxin Din

    Door room 01, 2021

    Oil on canvas

    11.8 x 7.9 in (29.97 x 20.07 cm)

  2. Dining room 02 by Xinxin Din, Image 1.

    Xinxin Din

    Dining room 02, 2021

    Oil on canvas

    11.8 x 7.9 in (29.97 x 20.07 cm)

  3. Disguise by Bethany Bonfiglio, Image 1.

    Bethany Bonfiglio

    Disguise, 2021

    Oil on canvas

    30 x 24 in (76.2 x 60.96 cm)

  4. Drunken Oranges by Frances Matassa, Image 1.

    Frances Matassa

    Drunken Oranges, 2021

    Oil on canvas

    16 x 20 in (40.64 x 50.8 cm)

  5. Cul-de-Sac by Wes Aderhold, Image 1.

    Wes Aderhold

    Cul-de-Sac, 2021

    Acrylic, oil pastel, charcoal on canvas

    60 x 60 in (152.4 x 152.4 cm)

  6. Costume Party by Wes Aderhold, Image 1.

    Wes Aderhold

    Costume Party, 2021

    Acrylic, oil pastel on canvas

    48 x 60 in (121.92 x 152.4 cm)

  7. Dad's Childhood by Allison Riback, Image 1.

    Allison Riback

    Dad's Childhood, 2021

    Oil on canvas

    28 x 21 in (71.12 x 53.34 cm)

  8. Dad's Harley by Allison Riback, Image 2.

    Allison Riback

    Dad's Harley, 2021

    Oil on canvas

    28 x 22 in (71.12 x 55.88 cm)

View All Artworks

About the artist

Yuan Fang

b. 1996

Fang Yuan 方媛 (b. 1996, Shenzhen, China) is a visual artist who lives and works in New York City. She graduated from the Visual and Critical Studies Program at the School of Visual Arts (BFA) with Rhodes Family Award for Outstanding Achievement. Her works have been exhibited in the United States and China. She is currently an MFA candidate at the School of Visual Arts who is expected to graduate in 2022.

Fang’s practice began with a self-detachment from the external environment while maintaining a rebellious posture of exile. Throughout her upbringing, she has been constantly experiencing a lack of belonging and displacements reflected by her surroundings. For her, desire, emotions, and memory are not concepts, but unsteady and tangible experiences. As an Asian woman living in the context of cosmopolitanism, she attempts to explore her own vulnerability in the sense of self-estrangement in her practice.