Skip to profile content
Discovery
Log In

Additional Artworks

From VillageOne Art

  1. Crystal Plasma by Emily Cheng, Image 1.

    Emily Cheng

    Crystal Plasma, 2019

    Oil and flashe on canvas

    84 x 58 in (213.36 x 147.32 cm)

  2. Harvest by Hana Shannon, Image 4.

    Hana Shannon

    Harvest, 2019

    Oil on canvas

    34 x 40 in (86.36 x 101.6 cm)

  3. Before the storm by Hana Shannon, Image 4.

    Hana Shannon

    Before the storm, 2019

    Oil on canvas

    34 x 42 in (86.36 x 106.68 cm)

  4. Bon Voyage by Helen Shu, Image 1.

    Helen Shu

    Bon Voyage, 2019

    Oil on canvas

    18 x 14 in (45.72 x 35.56 cm)

  5. Calligraphic Abstraction No. 2 by Kelly Wang, Image 1.

    Kelly Wang

    Calligraphic Abstraction No. 2, 2019

    Mulberry paper and incense

    28 x 60 in (71.12 x 152.4 cm)

  6. Flying on the Field by Guido Garaycochea, Image 1.

    Guido Garaycochea

    Flying on the Field, 2019

    Mixed media on canvas

    24 x 36 in (60.96 x 91.44 cm)

  7. Entrance by Iris Kufert-Rivo, Image 1.

    Iris Kufert-Rivo

    Entrance, 2019

    Acrylic and oil on panel

    30 x 24 in (76.2 x 60.96 cm)

  8. The way I look at you by Pixy Yijun Liao, Image 1.

    Pixy Yijun Liao

    The way I look at you, 2018

    Photograph

    16 x 20 in (40.64 x 50.8 cm)

View All Artworks

About the artist

Cydney Williams

Cydney Williams is currently a studio resident at Mana Contemporary in Jersey City, NJ. Born in Livingston, NJ in 1994, she graduated with a Bachelors of Science in Art Education from the University of Vermont in 2016. Shortly after, she was trained by and continues to be mentored by artist, Dorothea Rockburne, during and after her time as Studio Manager of Rockburne Studios in New York, NY. Her work has been exhibited at Pinta Art Fair, Miami, FL (2019); Mana Contemporary, Jersey City, NJ (2019); University of Vermont, Burlington, VT (2014, 2015, 2016, 2018); and has upcoming exhibitions in New York, NY and Jersey City, NJ.

Driven by curiosity, Cydney has found herself emerged and commenting on the expanding yet interconnected world around her. This expansion includes the desensitized reality that our humanity is often defaulted to in order to survive today’s culture of over-saturation and the race to unravel the madness derived from the fear of the unknown. Cydney strives to combat this fear and leave a space charged with joy; to enter into the possibility of the unknown. Through paintings and installations, Cydney depicts resilience through an experience as a tangible depiction of an expressed lesson from her journey, attempting to arm the viewer with the energy of the process that always ends with the gratitude of participation regardless of the situation, which in return Cydney hopes connects the viewer back to their own personal reflective journey for the gratitude of being a living soul of love, not necessarily a story bound by narrative.