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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Mary + her daughters holding a family portrait with their father, Minneapolis, from Living with the Enemy by Donna Ferrato, Image 1.

    Donna Ferrato

    Mary + her daughters holding a family portrait with their father, Minneapolis, from Living with the Enemy, 1987

    Archival pigment print

    20 x 24 in (50.8 x 60.96 cm)

  2. Recollections II by Jim McCormick, Image 1.

    Jim McCormick

    Recollections II, 1977

    Lithograph on paper

    18.25 x 24.125 in (46.36 x 61.28 cm)

  3. Pyramid II by Doug Warner, Image 1.

    Doug Warner

    Pyramid II, 1976

    Lithograph on paper

    15 x 12.75 in (38.1 x 32.39 cm)

  4. Blue Wave by Robert Freimark, Image 1.

    Robert Freimark

    Blue Wave, 1975

    Lithograph on paper

    30 x 17.875 in (76.2 x 45.4 cm)

  5. A Good Place to Live by Russell T. Gordon, Image 1.

    Russell T. Gordon

    A Good Place to Live, 1974

    Etching and aquatint on paper

    18 x 17 in (45.72 x 43.18 cm)

  6. Corona by Herb Jackson, Image 1.

    Herb Jackson

    Corona, 1972

    Etching on paper

    22.25 x 29.5 in (56.52 x 74.93 cm)

  7. Barbara Swan

    Arthur Polonsky, Friends of the Artist, 1970

    Lithograph on paper

    29.875 x 21.9375 in (75.88 x 55.72 cm)

  8. Margaret Truman by Philippe Halsman, Image 1.

    Philippe Halsman

    Margaret Truman, 1952

    Gelatin silver print

    14 x 11 in (35.56 x 27.94 cm)

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About the artist

Marilyn Bridges

American

b. 1948

American photographer. Bridges studied at the Rochester Institute of Technology. She began her career in aerial photography flying over the Peruvian desert's Nazca Lines. She has also photographed ancient Mayan sites in the Yucatan, the Valley of the Kings along the Nile, Native American archaeological sites, megalithic monuments in Britain and Brittany and many other sitesall over the world. Her work has been exhibited at the American Museum of Natural History, in her published books, and national and international gallery settings. She received a Fulbright Scholarship, a Guggenheim Fellowship in 1982, and many other awards for her published works. She used a medium format film camera, silver gelatin and selenium tone.