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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Plots on Loan by Raymond Pettibon, Image 1.

    Raymond Pettibon

    Plots on Loan, 2020

    Lithograph on paper

    19.625 x 13.75 in (49.85 x 34.93 cm)

  2. Untitled by A.R. Ammons, Image 1.

    A.R. Ammons

    Untitled, 1978

    Watercolor and ink on Arches paper

    24 x 18 in (60.96 x 45.72 cm)

  3. The Spectre Bark (Life-in-Death Winneth the Ancient Mariner) from The Rime of the Ancient Mariner by Patrick Procktor, Image 1.

    Patrick Procktor

    The Spectre Bark (Life-in-Death Winneth the Ancient Mariner) from The Rime of the Ancient Mariner, 1976

    etching on paper

    25.5 x 19.5 in (64.77 x 49.53 cm)

  4. Small January 1973: 2 by Patrick Heron, Image 1.

    Patrick Heron

    Small January 1973: 2, 1973

    Screenprint on paper

    19.625 x 23.125 in (49.85 x 58.74 cm)

  5. Butterfly Suite II by Richard Smith, Image 1.

    Richard Smith

    Butterfly Suite II, 1972

    Etching on paper

    25.25 x 36.5 in (64.14 x 92.71 cm)

  6. Untitled by Robert Malone, Image 1.

    Robert Malone

    Untitled, 1971

    Lithograph on paper

    28 x 21 in (71.12 x 53.34 cm)

  7. Othar Turner, Gravel Springs by William R. Ferris, Image 1.

    William R. Ferris

    Othar Turner, Gravel Springs, 1970

    Gelatin silver print

    11 x 17 in (27.94 x 43.18 cm)

  8. The Cry by Eila Hershon, Image 1.

    Eila Hershon

    The Cry, 1968

    Etching on paper

    17 x 13 in (43.18 x 33.02 cm)

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About the artist

Reginald Marsh

American

1898-1954

The American artist Reginald Marsh (1898-1954) was born in Paris, but his family soon moved to a small artist community in New Jersey. He Later completed his education at Yale University before moving to New York City. His primary focus were the marginalized groups and the “seedy underbelly of New York City.” His art practice took him to the homeless of downtown Manhattan, the streets of Coney Island, and the seaports. During this time, he provided “illustrations of the vaudeville acts” to the New York Daily News, The New Yorker, and the New Masses Marxist journal. He eventually rented a studio on the 14th Street in 1929 where his overarching vision as a painter developed. Fifteen one-man exhibitions of his work were held at New York’s Frank K. M. Rehn Gallery between 1930 and 1953.2 He later turned to teaching as he spent his later years at the Art Students League. He won the Gold Medal for Graphic Arts by the American Academy and the National Institute for Arts and Letters in his upcoming years. Today his works can be found at the Whitney Museum, Detroit Institute of Arts, Brooklyn Museum, and many other major American museums.