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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Sitting on the High Line, New York, Thursday, November 10, 2011, From the City Stages Portfolio by Matthew Pillsbury, Image 1.

    Matthew Pillsbury

    Sitting on the High Line, New York, Thursday, November 10, 2011, From the City Stages Portfolio, 2011

    Platinum print

    8.75 x 11.25 in (22.23 x 28.58 cm)

  2. Kingfishers by Billy Hassell, Image 1.

    Billy Hassell

    Kingfishers, 1987

    Color lithograph on paper

    30 x 22.25 in (76.2 x 56.52 cm)

  3. Seashore I by Cecilia Davila, Image 1.

    Cecilia Davila

    Seashore I, 1979

    Etching on paper

    29.6875 x 22.6875 in (75.41 x 57.63 cm)

  4. Chinatown by Chryssa, Image 1.

    Chryssa

    Chinatown, 1978

    Screenprint on paper

    38.75 x 31.375 in (98.43 x 79.69 cm)

  5. January 1973: 17 by Patrick Heron, Image 1.

    Patrick Heron

    January 1973: 17, 1973

    Screenprint on paper

    27.25 x 35.5 in (69.22 x 90.17 cm)

  6. Indian View E by Howard Hodgkin, Image 1.

    Howard Hodgkin

    Indian View E, 1971

    Screenprint on paper

    22.75 x 30.25 in (57.79 x 76.84 cm)

  7. Paul Mazur by Philippe Halsman, Image 1.

    Philippe Halsman

    Paul Mazur, 1959

    Gelatin silver print

    13.875 x 10.875 in (35.24 x 27.62 cm)

  8. Grouse and Apples by Aiden Lassell Ripley, Image 1.

    Aiden Lassell Ripley

    Grouse and Apples, 1941

    Watercolor on paper

    21 x 3829.255 in (53.34 x 9726.31 cm)

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About the artist

Allan D'Arcangelo

American

1930-1998

Early American Pop artist. D'Arcangelo is known for paintings of clipped sections of highways and road signs. He worked with corporate simple, flat geometric forms often taken from the perspective of a driver on the road. He had a fascination with industrial imagery and drew inspiration from Minimalism and Abstract Expressionists, specifically de Chirico.