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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Luca and Kamryn, from Spaces of Comfort by Endia Beal, Image 1.

    Endia Beal

    Luca and Kamryn, from Spaces of Comfort, 2023

    Archival pigment print

    40 x 120 in (101.6 x 304.8 cm)

  2. Corporate Sludge (Blue) by DENIAL, Image 1.

    DENIAL

    Corporate Sludge (Blue), 2018

    4-color screenprint on 300 gsm French fine art paper

    24 x 18 in (60.96 x 45.72 cm)

  3. Black Ice by James Welling, Image 1.

    James Welling

    Black Ice, 2010

    Pigment print

    10.625 x 16 in (26.99 x 40.64 cm)

  4. Untitled (Greek Drawing) by Herb Jackson, Image 1.

    Herb Jackson

    Untitled (Greek Drawing), 1979

    Oil crayon on paper

    14.5 x 10.5 in (36.83 x 26.67 cm)

  5. Aspen Tree by Brett Weston, Image 1.

    Brett Weston

    Aspen Tree, 1972

    Vintage gelatin silver print, with original negative envelope

    9.9375 x 7.9375 in (25.24 x 20.16 cm)

  6. C.L. Redwine and Corine Gardner, Coahoma County by William R. Ferris, Image 1.

    William R. Ferris

    C.L. Redwine and Corine Gardner, Coahoma County, 1968

    Gelatin silver print

    11 x 17 in (27.94 x 43.18 cm)

  7. Forbidding Gates, North Side, Dublin by Alen MacWeeney, Image 1.

    Alen MacWeeney

    Forbidding Gates, North Side, Dublin, 1965

    Archival pigment print

    19 x 13 in (48.26 x 33.02 cm)

  8. Russa Emlem, 2000 by Gene Merritt, Image 1.

    Gene Merritt

    Russa Emlem, 2000

    Ink on paper

    12.625 x 9.625 in (32.07 x 24.45 cm)

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About the artist

Allan D'Arcangelo

American

1930-1998

Early American Pop artist. D'Arcangelo is known for paintings of clipped sections of highways and road signs. He worked with corporate simple, flat geometric forms often taken from the perspective of a driver on the road. He had a fascination with industrial imagery and drew inspiration from Minimalism and Abstract Expressionists, specifically de Chirico.