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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. East End Trilogy by Howard Kanovitz, Image 1.

    Howard Kanovitz

    East End Trilogy, 1980

    Lithograph on paper

    32.75 x 24.25 in (83.19 x 61.6 cm)

  2. Jean by Frank Huntington Stack, Image 1.

    Frank Huntington Stack

    Jean, 1978

    Lithograph on paper

    18.25 x 15.0625 in (46.36 x 38.26 cm)

  3. Nude in Bed by Sigmund Abeles, Image 1.

    Sigmund Abeles

    Nude in Bed, 1978

    Lithograph on paper

    11.0625 x 14.875 in (28.1 x 37.78 cm)

  4. Departure by Richard Aberle Florsheim, Image 1.

    Richard Aberle Florsheim

    Departure, 1977

    Lithograph on paper

    14 x 18.0625 in (35.56 x 45.88 cm)

  5. Breaking Up by John Grazier, Image 1.

    John Grazier

    Breaking Up, 1976

    Lithograph on paper

    21.75 x 29.75 in (55.25 x 75.57 cm)

  6. Comstock #3: Waiting by Jim McCormick, Image 1.

    Jim McCormick

    Comstock #3: Waiting, 1975

    Lithograph on paper

    12 x 15 in (30.48 x 38.1 cm)

  7. Mandarin and Flowers by Mark Tobey, Image 1.

    Mark Tobey

    Mandarin and Flowers, 1973

    Lithograph on paper

    29.75 x 39.75 in (75.57 x 100.97 cm)

  8. Two Red Boots on Black Ground by Jim Dine, Image 1.

    Jim Dine

    Two Red Boots on Black Ground, 1965

    Screenprint on paper

    24 x 22 in (60.96 x 55.88 cm)

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About the artist

Allan D'Arcangelo

American

1930–1998

Early American Pop artist. D'Arcangelo is known for paintings of clipped sections of highways and road signs. He worked with corporate simple, flat geometric forms often taken from the perspective of a driver on the road. He had a fascination with industrial imagery and drew inspiration from Minimalism and Abstract Expressionists, specifically de Chirico.