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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Attempt I by Paul Rotterdam, Image 1.

    Paul Rotterdam

    Attempt I, 1979

    Etching and mezzotint on paper

    44.375 x 30.125 in (112.71 x 76.52 cm)

  2. Pipe in Bowl by Patrick Caulfield, Image 1.

    Patrick Caulfield

    Pipe in Bowl, 1976

    Screenprint on paper

    29.75 x 22.5 in (75.57 x 57.15 cm)

  3. Victorian Vision by Frank Eckmair, Image 1.

    Frank Eckmair

    Victorian Vision, 1973

    Lithograph on paper

    22.875 x 24.75 in (58.1 x 62.87 cm)

  4. First Print by Bernard Cohen, Image 1.

    Bernard Cohen

    First Print, 1973

    Etching on paper

    25.5 x 19.625 in (64.77 x 49.85 cm)

  5. Logo Suite, E by Richard Smith, Image 1.

    Richard Smith

    Logo Suite, E, 1971

    Screenprint on paper

    23.75 x 19.625 x 2 in (60.33 x 49.85 x 5.08 cm)

  6. Untitled by Beverly Pepper, Image 1.

    Beverly Pepper

    Untitled, 1968

    Collage on paper

    19.25 x 27.75 in (48.9 x 70.49 cm)

  7. The Cry by Eila Hershon, Image 1.

    Eila Hershon

    The Cry, 1968

    Etching on paper

    17 x 13 in (43.18 x 33.02 cm)

  8. Landscape & Figures by Constantino Nivola, Image 1.

    Constantino Nivola

    Landscape & Figures, 1963

    Lithograph on paper

    28.5 x 22.875 in (72.39 x 58.1 cm)

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About the artist

Julian Trevelyan

British

1910–1988

English artist and poet. Trevelyan moved to Paris to learn etching and to pursue a career as an artist alongside Max Ernst, Joan Miro, and Pablo Picasso. He served as a camofleur for the British in World War II. He gained much of his inspiration from his home and studio on the Thames. He is known for his paintings and for his wife Mary Fedden, an accomplished artist herself. In 1935, he was a part of the International Surrealist Exhibition. He was the head of the etching department at Royal College of Art; David Hockney and Norman Ackroyd were some of his students.