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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Floating by Tom Stanley, Image 1.

    Tom Stanley

    Floating, 2004

    Acrylic on panel

    20 x 23.75 in (50.8 x 60.33 cm)

  2. Evelyn L. Trammell by Anne Noggle, Image 1.

    Anne Noggle

    Evelyn L. Trammell, 1986

    Silver gelatin print

    20 x 16 in (50.8 x 40.64 cm)

  3. Untitled (Curtain), Paris by Ralph Gibson, Image 1.

    Ralph Gibson

    Untitled (Curtain), Paris, 1984

    Chromogenic print

    20 x 16 in (50.8 x 40.64 cm)

  4. Chicago 56, 1960 by Aaron Siskind, Image 2.

    Aaron Siskind

    Chicago 56, 1960, 1981

    Gelatin silver print

    10.875 x 13.875 in (27.62 x 35.24 cm)

  5. Mary Lee and Belinda by Andy Warhol, Image 1.

    Andy Warhol

    Mary Lee and Belinda, 1980

    Polaroid

    4.25 x 3.375 in (10.8 x 8.57 cm)

  6. Untitled by A.R. Ammons, Image 1.

    A.R. Ammons

    Untitled, 1978

    Watercolor and ink on Arches paper

    24 x 18 in (60.96 x 45.72 cm)

  7. Strata by Herb Jackson, Image 1.

    Herb Jackson

    Strata, 1973

    Lithograph on paper

    22.375 x 29.875 in (56.83 x 75.88 cm)

  8. La fanfare, 14 juillet défilé militaire by Raoul Dufy, Image 1.

    Raoul Dufy

    La fanfare, 14 juillet défilé militaire, 1951/1965

    Lithograph on paper mounted to board

    23.875 x 25.875 in (60.64 x 65.72 cm)

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About the artist

Leopold Hugo

American

1863-1933

Leopold Hugo was a German-born American photographer known for his landscapes and nature studies along the coast of California. Working during the Pictorialist movement at the turn of the 20th century, he became particularly recognized for his images of cypress and eucalyptus trees along the Monterey Peninsula. Hugo was born on December 24, 1866, in Breslau, Germany (now Wrocław, Poland). He immigrated to the United States in 1889 and initially settled in Texas. In 1907, the Hugos moved to La Jolla, California, specializing in landscapes and nature studies. His work reflected both straight photography and the soft-focus aesthetic favored by Pictorialist photographers. Hugo reportedly used waxed-paper negatives to enhance the atmospheric effects in his prints. Leopold Hugo died on September 7, 1933, in Belton, Texas, while on a family trip.