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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Untitled, from the portfolio "Utopia" by Jennifer Vogh, Image 1.

    Jennifer Vogh

    Untitled, from the portfolio "Utopia", 1989

    Silkscreen on paper

    22.5 x 14.875 in (57.15 x 37.78 cm)

  2. Zoungy Pen Group Flux by Alan Saret, Image 1.

    Alan Saret

    Zoungy Pen Group Flux, 1983

    Pencil on paper

    22.5 x 30 in (57.15 x 76.2 cm)

  3. Jardin Suspendo by Hector Saunier, Image 1.

    Hector Saunier

    Jardin Suspendo, 1979

    Etching on paper

    19.5 x 25.75 in (49.53 x 65.41 cm)

  4. Castle Rock Colorado by Garry Winogrand, Image 1.

    Garry Winogrand

    Castle Rock Colorado, 1978

    Gelatin silver print

  5. Cannes by Julian Trevelyan, Image 1.

    Julian Trevelyan

    Cannes, 1973

    Etching on paper

    23.125 x 30.5 in (58.74 x 77.47 cm)

  6. Come, Togoland by Todd Webb, Image 1.

    Todd Webb

    Come, Togoland, 1958

    Gelatin silver print

    8 x 10 in (20.32 x 25.4 cm)

  7. Josephine Baker by Alfred Eisenstaedt, Image 1.

    Alfred Eisenstaedt

    Josephine Baker, 1951

    Gelatin silver print

    12 x 9.25 in (30.48 x 23.5 cm)

  8. Carmen Dellorefiel by Philippe Halsman, Image 2.

    Philippe Halsman

    Carmen Dellorefiel, 1947

    Gelatin silver print

    14 x 11 in (35.56 x 27.94 cm)

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About the artist

Maurice Sterne

Latvian-American

1878-1957

Born in Memel, Latvia but lived in Moscow for four years before immigrating to New York. Studied at the National Academy of Design alongside Alfred Maurer. First exhibition in 1902 was in conjunction with William J. Glackens and “Pop” Hart at the Old Country Sketch Club. Lived in Paris from 1904-1907 and was exposed to works by French modernists and Cézanne. Traveled throughout Europe, India and East Asia before returning to New York in 1915. Was married to Mabel Dodge from 1916-1918 before again traveling to Europe and living in Anticoli, Corrado, Italy. Taught at the Art Students League on several occasions. Exhibited at the Scott and Fowles Gallery in 1926, which helped him rise to prominence. Established an art school in 1932 in New York, and had his first retrospective at the Museum of Modern Art in 1933. Taught at the California School of Fine Arts from 1934-1936 but returned to New York to teach. Was appointed by President Truman to the National Fine arts Commission in 1945. Works are held in the Phillips Collection.