Skip to profile content
Discovery
Log In

Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Walking Blindly by Elizabeth Catlett, Image 1.

    Elizabeth Catlett

    Walking Blindly, 1992

    Lithograph on paper

    15.75 x 13.5 in (40.01 x 34.29 cm)

  2. Cleanth Brooks and Robert Penn Warren, Fairfield, Conn. by William R. Ferris, Image 1.

    William R. Ferris

    Cleanth Brooks and Robert Penn Warren, Fairfield, Conn., 1979

    Gelatin silver print

    9 x 13.5 in (22.86 x 34.29 cm)

  3. Salt Wave by Stanley William Hayter, Image 1.

    Stanley William Hayter

    Salt Wave, 1979

    Engraving on paper

    15.75 x 11.5 in (40.01 x 29.21 cm)

  4. New York City, 1963, from Garry Winogrand portfolio by Garry Winogrand, Image 1.

    Garry Winogrand

    New York City, 1963, from Garry Winogrand portfolio, 1978

    Gelatin silver print

    11 x 17 in (27.94 x 43.18 cm)

  5. Untitled, from Jamaica Botanical Series by William Eggleston, Image 1.

    William Eggleston

    Untitled, from Jamaica Botanical Series, c. 1978

    Chromogenic print

    13.875 x 16.875 in (35.24 x 42.86 cm)

  6. Poor Brethren, Canto XXXII, from Inferno by Ron Kowalke, Image 1.

    Ron Kowalke

    Poor Brethren, Canto XXXII, from Inferno, 1970

    Etching on paper

    22 x 29.5 in (55.88 x 74.93 cm)

  7. Eddie Cantor by Philippe Halsman, Image 1.

    Philippe Halsman

    Eddie Cantor, 1950

    Gelatin silver print

    10 x 8 in (25.4 x 20.32 cm)

  8. Teenagers on Beach with Radio, Coney Island, NY, from Photographer's Choice: Harold Feinstein-Decades Four by Harold Feinstein, Image 1.

    Harold Feinstein

    Teenagers on Beach with Radio, Coney Island, NY, from Photographer's Choice: Harold Feinstein-Decades Four, 1949

    Gelatin silver print

    11.125 x 14.125 in (28.26 x 35.88 cm)

View All Artworks

About the artist

Juan Genovés

Spanish

1930-2020

Spanish painter. Genoves was part of the post-war Spanish art scene, studied at the Valencia Art College. He was concerned with the state of the environment, the opposition movements of the time against the Franco regime, and the interplay of the “individual” and the “crowd." His paintings were largely landscapes, with dull hues to make up “spaces of loneliness” within the crowd. His later work focused on political realism, in which he manipulated images in the media.