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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Ernie + Brianna When Kids Witness Violence Vermont, from Living with the Enemy by Donna Ferrato, Image 1.

    Donna Ferrato

    Ernie + Brianna When Kids Witness Violence Vermont, from Living with the Enemy, 1996

    Archival pigment print

    20 x 24 in (50.8 x 60.96 cm)

  2. Mary Ellen Mark

    Two Girls in Dresses on Lawn, Miami, from the portfolio "In America", 1986

    Gelatin silver print

    13.875 x 10.875 in (35.24 x 27.62 cm)

  3. Paul by Harvey Breverman, Image 1.

    Harvey Breverman

    Paul, 1980

    Lithograph on paper

    25.875 x 19.875 in (65.72 x 50.48 cm)

  4. Kim by Frank Huntington Stack, Image 1.

    Frank Huntington Stack

    Kim, 1979

    Lithograph on paper

    13 x 9 in (33.02 x 22.86 cm)

  5. Trophies by Dieter Roth, Image 1.

    Dieter Roth

    Trophies, 1978

    Offset print

    19.8125 x 13.875 in (50.32 x 35.24 cm)

  6. And We Did Speak Only to Break The Silence of the Sea! from The Rime of the Ancient Mariner by Patrick Procktor, Image 2.

    Patrick Procktor

    And We Did Speak Only to Break The Silence of the Sea! from The Rime of the Ancient Mariner, 1976

    Etching on paper

    25.75 x 19.625 in (65.41 x 49.85 cm)

  7. The Ribbed Sea-Sand from The Rime of the Ancient Mariner by Patrick Procktor, Image 1.

    Patrick Procktor

    The Ribbed Sea-Sand from The Rime of the Ancient Mariner, 1976

    Etching on paper

    25.75 x 19.5 in (65.41 x 49.53 cm)

  8. Private Richard K. Oakley, 9th Georgia Volunteers, Killed at Shiloh by John Sandlin, Image 1.

    John Sandlin

    Private Richard K. Oakley, 9th Georgia Volunteers, Killed at Shiloh, 1973

    Lithograph on paper

    40.25 x 29.75 in (102.24 x 75.57 cm)

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About the artist

Hans Hofmann

German-American

1880-1966

German-American painter. Modern art teacher and abstract artist who studied in Munich and Paris before moving to New York. He interacted with many prominent and avant-garde artists and was especially influenced by Cubism's freedom of form and Matisse's use of color. He developed a style that he referred to as "Push and Pull," which involved an experimental focus on the interconnected nature of color, form, texture, and space. His paintings are often characterized by their abstract shapes and bold expressions of color.