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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Unshadowed Land by Nicholas Galanin, Image 1.

    Nicholas Galanin

    Unshadowed Land, 2021

    soil, plant matter

  2. Portrait of the Artist by Shahzia Sikander, Image 1.

    Shahzia Sikander

    Portrait of the Artist, 2016

    Etching on paper

    27 x 21 in (68.58 x 53.34 cm)

  3. Dragon Flowers by Laura Grosch, Image 1.

    Laura Grosch

    Dragon Flowers, 1976

    Lithograph on paper

    39.5 x 32 x 1.5 in (100.33 x 81.28 x 3.81 cm)

  4. Dante, I Had Not Known That Death Had Undone So Many by Tom Phillips, Image 1.

    Tom Phillips

    Dante, I Had Not Known That Death Had Undone So Many, c. 1975

    Etching on paper

    25.5 x 19.5 in (64.77 x 49.53 cm)

  5. 8 Including Ultramarine by Patrick Heron, Image 1.

    Patrick Heron

    8 Including Ultramarine, 1971

    Screenprint on paper

    28 x 40.25 in (71.12 x 102.24 cm)

  6. Jackie Gleason, from "Jump Project" series by Philippe Halsman, Image 1.

    Philippe Halsman

    Jackie Gleason, from "Jump Project" series, 1955

    Gelatin silver print

    9.25 x 7.5 in (23.5 x 19.05 cm)

  7. Les Musiciens Mexicains by Raoul Dufy, Image 1.

    Raoul Dufy

    Les Musiciens Mexicains, 1951

    Etching on paper

    12.625 x 19.75 in (32.07 x 50.17 cm)

  8. Interno Meridiano by Aldo Salvadori, Image 1.

    Aldo Salvadori

    Interno Meridiano, no date

    Screenprint on paper

    22.5 x 25.75 in (57.15 x 65.41 cm)

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About the artist

Linda Foard Roberts

American

b. 1961

Linda Foard Roberts is an American photographer whose work is deeply rooted in themes of memory, time, and the personal narrative. She earned her BFA from the University of North Carolina at Charlotte and her MFA in photography from Arizona State University. Known for her use of traditional darkroom techniques, Roberts creates hand-printed, silver gelatin photographs often toned in sepia, imbuing her images with a sense of timelessness. Her work is included in the permanent collections of institutions such as the North Carolina Museum of Art, the Mint Museum, and the Museum of Fine Arts, Houston. Through her intimate and meditative approach, Roberts invites viewers to slow down and consider the emotional weight of everyday life.