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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. The Future is Unwritten x Robert Rauschenberg Foundation by Shepard Fairey, Image 2.

    Shepard Fairey

    The Future is Unwritten x Robert Rauschenberg Foundation, 2011

    Screenprint on paper

    24 x 18 in (60.96 x 45.72 cm)

  2. Collaboration: Press by Jim McCormick, Image 1.

    Jim McCormick

    Collaboration: Press, 1979

    Lithograph on paper

    16.0625 x 11.3125 in (40.8 x 28.73 cm)

  3. Figs by Mary Fedden, Image 1.

    Mary Fedden

    Figs, 1972

    Lithograph on paper

    30.5 x 22.625 in (77.47 x 57.47 cm)

  4. Proscenium IV by Richard Smith, Image 1.

    Richard Smith

    Proscenium IV, 1971

    etching on paper

    31 x 23 in (78.74 x 58.42 cm)

  5. B Blue by William Tucker, Image 1.

    William Tucker

    B Blue, 1969

    Screenprint on board mounted to board

    29.875 x 33.875 in (75.88 x 86.04 cm)

  6. The Cry by Eila Hershon, Image 1.

    Eila Hershon

    The Cry, 1968

    Etching on paper

    17 x 13 in (43.18 x 33.02 cm)

  7. Field of Scrap by Antonio Frasconi, Image 1.

    Antonio Frasconi

    Field of Scrap, 1963

    Lithograph on paper

    28.5 x 22.8125 in (72.39 x 57.94 cm)

  8. 台の茶屋　浅間下 (No. 4, Teahouses on the Bluff, Below Asama), from 東海道四 五十三次之内 (蔦屋版)（The Tôkaidô Road, The Fifty-three Stations ) by 歌川(Utagawa) 広重(Hiroshige), Image 1.

    歌川(Utagawa) 広重(Hiroshige)

    台の茶屋　浅間下 (No. 4, Teahouses on the Bluff, Below Asama), from 東海道四 五十三次之内 (蔦屋版)（The Tôkaidô Road, The Fifty-three Stations ), c. 1850

    Woodblock print (nishiki-e); ink and color on paper

    6.5 x 9 in (16.51 x 22.86 cm)

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About the artist

Adrian Van Suchtelen

Dutch

b. 1941

Born in Semarang, Indonesia, in 19941, Adrian Van Suchtelen then moved to the Netherlands in 1950. Following the Netherlands, he immigrated to the United States in 1957, where he eventually settled in Los Angeles, California. He attended El Camino College and Otis Art Institute. He then moved to Utah, where he spent thirty-seven years as a professor of drawing at Utah State University. He is best known for his painting and printmaking. His style is allegorical, intrigued by the metaphysical and metaphorical.