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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Feeding Grounds by Mark Thomas Gibson, Image 2.

    Mark Thomas Gibson

    Feeding Grounds, 2020

    Ink on paper collage

    22 x 30 in (55.88 x 76.2 cm)

  2. THE EQUAL AND INALIENABLE RIGHTS OF ALL by Ann Hamilton, Image 1.

    Ann Hamilton

    THE EQUAL AND INALIENABLE RIGHTS OF ALL, 2017

    Blind embossment with hand-applied ink

    35.5 x 25 in (90.17 x 63.5 cm)

  3. Untitled (Surrounded by Wolves) by Jen Ray, Image 1.

    Jen Ray

    Untitled (Surrounded by Wolves), 2017

    Watercolor and ink on handmade paper

    14.875 x 11 in (37.78 x 27.94 cm)

  4. Karel Appel

    Sunshine Cat, 1978

    Lithograph on paper

  5. Chance and Order VI by Kenneth Martin, Image 1.

    Kenneth Martin

    Chance and Order VI, 1976

    Screenprint on paper

    27.625 x 27.625 in (70.17 x 70.17 cm)

  6. Exterior Gallery Round the Ducal Palace by Joseph Nash, Image 2.

    Joseph Nash

    Exterior Gallery Round the Ducal Palace, 1834

    Lithograph on paper

    11.5 x 15 in (29.21 x 38.1 cm)

  7. The Man in the Moon by Gene Merritt, Image 1.

    Gene Merritt

    The Man in the Moon

    Ink on paper

    11.75 x 9 in (29.85 x 22.86 cm)

  8. Unknown title by Simmons Jones, Image 1.

    Simmons Jones

    Unknown title, No date

    Gelatin silver print

    19.125 x 14.625 in (48.58 x 37.15 cm)

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About the artist

Ludovica Gioscia

British-Italian

b. 1977

Ludovica Gioscia was born in Rome and lives and works in London. She graduated with an MFA Fine Art Media from the Slade School of Art in 2004 and has been exhibiting internationally since. Solo shows include Arturo And The Vertical Sea at Baert Gallery in Los Angeles, The Tenderness Of Insects at VITRINE in Basel, Nuclear Reaction Cosmic Interaction at Ex Elettrofonica in Rome, Infinite Present at Baert Gallery in Los Angeles, Shapeshifters at Max Mara in London, Neurotic Seduction Astral Production at John Jones Project Space in London, Forecasting Ouroboros at MACRO in Rome, and, Papered Portraits at The Warhol in Pittsburgh, among others. Her work is strongly process-based, reading like a diary of layered experiences and relations.