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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Walking Blindly by Elizabeth Catlett, Image 1.

    Elizabeth Catlett

    Walking Blindly, 1992

    Lithograph on paper

    15.75 x 13.5 in (40.01 x 34.29 cm)

  2. Kingfishers by Billy Hassell, Image 1.

    Billy Hassell

    Kingfishers, 1987

    Color lithograph on paper

    30 x 22.25 in (76.2 x 56.52 cm)

  3. Untitled by Peter Agostini, Image 1.

    Peter Agostini

    Untitled, 1974

    Lithograph on paper

    26.375 x 32.1875 in (66.99 x 81.76 cm)

  4. Logo Suite, G by Richard Smith, Image 1.

    Richard Smith

    Logo Suite, G, 1971

    Screenprint on paper

    23.75 x 19.625 x 2 in (60.33 x 49.85 x 5.08 cm)

  5. Glynis Johns by Philippe Halsman, Image 2.

    Philippe Halsman

    Glynis Johns, 1953

    Gelatin silver print

    13.875 x 11 in (35.24 x 27.94 cm)

  6. Children Dancing by Lake by Barbara Morgan, Image 1.

    Barbara Morgan

    Children Dancing by Lake, 1940

    Gelatin silver print

    15.875 x 19.875 in (40.32 x 50.48 cm)

  7. Chairs of Paris, 1927, Paris by André Kertész, Image 1.

    André Kertész

    Chairs of Paris, 1927, Paris, 1927

    Gelatin silver print

    14 x 18 in (35.56 x 45.72 cm)

  8. Takata Riding Grounds (Takata no baba), No. 115 from the series “One Hundred Famous Views of Edo” (Meisho Edo hyakkei) by 歌川(Utagawa) 広重(Hiroshige), Image 1.

    歌川(Utagawa) 広重(Hiroshige)

    Takata Riding Grounds (Takata no baba), No. 115 from the series “One Hundred Famous Views of Edo” (Meisho Edo hyakkei), 1857

    Woodblock on paper

    13.125 x 8.75 in (33.34 x 22.23 cm)

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About the artist

Wayne Kimball

American

b. 1943

Wayne Kimball is a printmaker who earned his BFA from the College of Southern Utah and his MFA from the University of Arizona, Tuscon. He is a certified Master Printer from the Tamarind Institute, University of New Mexico, Albuquerque and a retired Professor of Visual Arts at Brigham Young University, Provo. He makes lithographs in an underground chamber and works with Bavarian Limestone and plates of grained aluminum. Kimball prefers to use small formats and view art in books and magazines rather than at a museum. He recently has investigated collages. He has been exhibited at over 250 regional, national, and international juried and invitational shows.