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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Sherwin's Virtual Re-Mix 03 by Joelle Dietrick, Image 1.

    Joelle Dietrick

    Sherwin's Virtual Re-Mix 03, 2011

    Pigment inks on Hahnemuhle PhotoRag 308g

    19.75 x 27.5 in (50.17 x 69.85 cm)

  2. Court Avenue Underpass by Amy Namowitz Worthen, Image 1.

    Amy Namowitz Worthen

    Court Avenue Underpass, 1982

    Engraving on paper

    14.5 x 12.625 in (36.83 x 32.07 cm)

  3. History of Printmaking: Ben Franklin at Versailles by Warrington W. Colescott, Image 1.

    Warrington W. Colescott

    History of Printmaking: Ben Franklin at Versailles, 1976

    Etching on paper

    19.75 x 26 in (50.17 x 66.04 cm)

  4. I Pass, like Night, from Land to Land from The Rime of the Ancient Mariner by Patrick Procktor, Image 1.

    Patrick Procktor

    I Pass, like Night, from Land to Land from The Rime of the Ancient Mariner, 1976

    Etching on paper

    25.5 x 19.5 in (64.77 x 49.53 cm)

  5. The Spectre Bark (Life-in-Death Winneth the Ancient Mariner) from The Rime of the Ancient Mariner by Patrick Procktor, Image 1.

    Patrick Procktor

    The Spectre Bark (Life-in-Death Winneth the Ancient Mariner) from The Rime of the Ancient Mariner, 1976

    etching on paper

    25.5 x 19.5 in (64.77 x 49.53 cm)

  6. Untitled RHw15LS by Richard Howard Hunt, Image 1.

    Richard Howard Hunt

    Untitled RHw15LS, 1974

    Lithograph on paper

    23.5 x 33 in (59.69 x 83.82 cm)

  7. #00 Me? Me Me, from "Ding Dong Daddy" series by William Walmsley, Image 1.

    William Walmsley

    #00 Me? Me Me, from "Ding Dong Daddy" series, 1968

    Lithograph on paper

    30 x 22 in (76.2 x 55.88 cm)

  8. Japanese Scroll Depicting Samurai and Courtesan, Edo Period by Kikugawa Eizan, Image 1.

    Kikugawa Eizan

    Japanese Scroll Depicting Samurai and Courtesan, Edo Period, ca. 19th century

    Woodblock print, pillar print format ( hashira-e ) mounted as a hanging scroll ( kakemono )

    5.5 x 38 in (13.97 x 96.52 cm)

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About the artist

James Coignard

French

1925–2008

Born in Tours, France, Coignard briefly worked in the French administration and later began studying at Arts décoratifs in Nice when he was 23 years old. Eventually, Coignard gave up his career to devote himself completely to art and began working with the gallery, Hervieu, which helped him rise in popularity both nationally and internationally. Coignard worked with glass and ceramics during the 1960s before switching to etching using the novel technique of utilizing carborundum. He lived in the U.S. for a few years and helped create the etching studio Pasnic. He has exhibited all over the world and is best known as one of the greatest etchers.