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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Morgan and Alexis, from Spaces of Comfort by Endia Beal, Image 1.

    Endia Beal

    Morgan and Alexis, from Spaces of Comfort, 2023

    Archival pigment print

    60 x 80 in (152.4 x 203.2 cm)

  2. Knife by Erin Shirreff, Image 1.

    Erin Shirreff

    Knife, 2008

    Black and white archival pigment print

    40 x 30 in (101.6 x 76.2 cm)

  3. Wise Men, Three by Donald Richard Sexauer, Image 1.

    Donald Richard Sexauer

    Wise Men, Three, 1979

    Etching on paper

    8.875 x 22.375 in (22.54 x 56.83 cm)

  4. Bats by Dieter Roth, Image 1.

    Dieter Roth

    Bats, 1978

    Offset print

    19.8125 x 13.875 in (50.32 x 35.24 cm)

  5. Enchantment/Lakeside by George Burk, Image 1.

    George Burk

    Enchantment/Lakeside, 1977

    Lithograph on paper

    15 x 11 in (38.1 x 27.94 cm)

  6. The Final Reproach by Graham Ovenden, Image 1.

    Graham Ovenden

    The Final Reproach, 1975

    Etching on paper

    26 x 25.75 in (66.04 x 65.41 cm)

  7. Small January 1973: 1 by Patrick Heron, Image 1.

    Patrick Heron

    Small January 1973: 1, c. 1973

    Screenprint on paper mounted to board

    21 x 24.5 in (53.34 x 62.23 cm)

  8. The First Angel Sounds his Trumpet (The Fifth Angel Rains Fire from the Sky) by McKendree Robbins Long, Image 1.

    McKendree Robbins Long

    The First Angel Sounds his Trumpet (The Fifth Angel Rains Fire from the Sky), c. 1968

    Oil on canvas

    41 x 49 in (104.14 x 124.46 cm)

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About the artist

Max Weber

American

1881-1961

Russian-American painter, printmaker, and sculptor. Weber helped introduce Fauvism and Cubusim into the United States through his early abstract works. He studied at the Pratt Institute in Brooklyn and at the Académie Julian in Paris with Henri Matisse, and is associated with Henri Rousseau and Pablo Picasso. His work was exhibited at Alfred Stieglitz's "291" gallery, and he is best known for his Fauvist-inspired painting The Geranium (1911) and synthetic cubist Chinese Restaurant (1915). His work became more representational later in his career but maintained its exploration of color and form.