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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Untitled by Doug Warner, Image 1.

    Doug Warner

    Untitled, 1978

    Lithograph on paper

    11.25 x 7.625 in (28.58 x 19.37 cm)

  2. Blue Wave by Robert Freimark, Image 1.

    Robert Freimark

    Blue Wave, 1975

    Lithograph on paper

    30 x 17.875 in (76.2 x 45.4 cm)

  3. 1, from Distorted Square Within a Circle by Robert Mangold, Image 2.

    Robert Mangold

    1, from Distorted Square Within a Circle, 1973

    Screenprint in colors on Arches paper

    27.75 x 27.75 in (70.49 x 70.49 cm)

  4. Air by Herb Jackson, Image 1.

    Herb Jackson

    Air, 1973

    Lithograph on paper

    22.125 x 29.75 in (56.2 x 75.57 cm)

  5. Fugue II by William Turnbull, Image 1.

    William Turnbull

    Fugue II, 1971

    Screenprint on paper

    23.625 x 31.5 in (60.01 x 80.01 cm)

  6. Lolita Pensive by Graham Ovenden, Image 1.

    Graham Ovenden

    Lolita Pensive, 1971

    Etching on paper

    13.25 x 17.25 in (33.66 x 43.82 cm)

  7. The Pit, Canto XXII, from Inferno by Ron Kowalke, Image 1.

    Ron Kowalke

    The Pit, Canto XXII, from Inferno, 1970

    Etching on paper

    22 x 29.5 in (55.88 x 74.93 cm)

  8. De Morandi by Ian Tyson, Image 10.

    Ian Tyson

    De Morandi, 1965

    Blind-embossed aquatint

    15.5 x 22.75 in (39.37 x 57.79 cm)

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About the artist

Peter Winslow Milton

American

b. 1930

American printmaker, photographer and animator. Studied under Josef Albers at Yale University and graduated with MFA, 1961. Originally painter before color-blindness steered him to the black-and-white world of prints. Known for “Light Box Series,” collaging photographic images into luminous, maximalist compositions. His prints and animations are also just as intricately dense with curiosities.