Skip to profile content
Discovery
Log In

Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Untitled (Angel in Mourning) by William Eggleston, Image 2.

    William Eggleston

    Untitled (Angel in Mourning), 1980

    Dye transfer print

    17.25 x 11.5 in (43.82 x 29.21 cm)

  2. Mary Lee and Belinda by Andy Warhol, Image 1.

    Andy Warhol

    Mary Lee and Belinda, 1980

    Polaroid

    4.25 x 3.375 in (10.8 x 8.57 cm)

  3. Nude Model (Male) by Andy Warhol, Image 2.

    Andy Warhol

    Nude Model (Male), 1977

    Polaroid

    4.25 x 3.375 in (10.8 x 8.57 cm)

  4. East-Central Texas by Wendy Watriss, Image 1.

    Wendy Watriss

    East-Central Texas, 1976

    Gelatin silver print

    17.5 x 12.125 in (44.45 x 30.8 cm)

  5. Four Days of Creation by Fritz Eichenberg, Image 1.

    Fritz Eichenberg

    Four Days of Creation, 1976

    Wood engraving on paper

    9.4375 x 8 in (23.97 x 20.32 cm)

  6. Summit by Herb Jackson, Image 1.

    Herb Jackson

    Summit, 1975

    Etching on paper

    29.5 x 24.25 in (74.93 x 61.6 cm)

  7. Christ and Followers Entering City by McKendree Robbins Long, Image 1.

    McKendree Robbins Long

    Christ and Followers Entering City, c. 1965

    Oil on canvas

    41.75 x 51.625 in (106.05 x 131.13 cm)

  8. Valerie Bettis - Desperate Heart by Barbara Morgan, Image 1.

    Barbara Morgan

    Valerie Bettis - Desperate Heart, 1944

    Gelatin silver print

    17.0625 x 13.875 in (43.34 x 35.24 cm)

View All Artworks

About the artist

Michael Peel

British

1940-2017

British printmaker and photographer. One of a generation of artists who saw art as mechanism for social change, to reveal hidden iniquities of contemporary society. Combined texts excerpts and grainy imagery culled from tv and print to represent social and political excesses endured by the everyday person. Found photography appropriate for easy accessibility by the public. Works were influenced by idealism of post-WWII period; hedonism of 1960s; hardened realities of political and social upheavals of 1970s-90s; and dawn of informational age and with that chaos, uncertainty and insecurity. Taught alongside his practice, redefined role of printmaking in high art.