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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. The Future is Unwritten x Robert Rauschenberg Foundation by Shepard Fairey, Image 2.

    Shepard Fairey

    The Future is Unwritten x Robert Rauschenberg Foundation, 2011

    Screenprint on paper

    24 x 18 in (60.96 x 45.72 cm)

  2. Blue Vine, Bourgogne by Ralph Gibson, Image 1.

    Ralph Gibson

    Blue Vine, Bourgogne, 1992

    Chromogenic print

    20 x 16 in (50.8 x 40.64 cm)

  3. Untitled by A.R. Ammons, Image 1.

    A.R. Ammons

    Untitled, 1978

    Watercolor and ink on Arches paper

    24 x 18 in (60.96 x 45.72 cm)

  4. Car by Julian Trevelyan, Image 1.

    Julian Trevelyan

    Car, 1973

    Etching on paper

    15.5 x 23.125 in (39.37 x 58.74 cm)

  5. Mist on Mountain by Martha Lynn Duncan, Image 1.

    Martha Lynn Duncan

    Mist on Mountain, 1972

    Etching and aquatint on paper

    23.5 x 26 in (59.69 x 66.04 cm)

  6. Nymph & Poodle by Paul Resika, Image 1.

    Paul Resika

    Nymph & Poodle, 1961

    Lithograph on paper

    10 x 14 in (25.4 x 35.56 cm)

  7. Two Women by Rosemarie Beck, Image 1.

    Rosemarie Beck

    Two Women, c. 1960

    Lithograph on paper

    9.875 x 12.6875 in (25.08 x 32.23 cm)

  8. Organ Grinder by Richard Swanson, Image 1.

    Richard Swanson

    Organ Grinder, 1949

    Gelatin silver print

    14 x 11 in (35.56 x 27.94 cm)

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About the artist

Maud Morgan

American

1903-1999

American collage artist, painter, and printmaker. Morgan grew up in New York City and attended Barnard College and then the Sorbonne in Paris. She travelled around the world and eventually met her husband Patrick Morgan, a contemporary artist, in Paris, who encouraged her to paint. She moved to Boston and taught at Abbot Academy. Morgan’s work did not conform to “notions of female art,” and as she moved away from New York, she lost visibility. She was known as Boston’s Modernist Doyenne.