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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Quincy, Mass. by Rachel Phillips, Image 1.

    Rachel Phillips

    Quincy, Mass., 2010

    Wet-transfer pigment print onto vintage (1895) envelope

    3.6875 x 4.8 in (9.37 x 12.19 cm)

  2. The Last Thanks by Wendy Red Star, Image 1.

    Wendy Red Star

    The Last Thanks, 2006

    Archival pigment print

    24 x 36 in (60.96 x 91.44 cm)

  3. Untitled (Streetlamp, Blue Sky), Paris by Ralph Gibson, Image 1.

    Ralph Gibson

    Untitled (Streetlamp, Blue Sky), Paris, 1985

    Chromogenic print

    20 x 16 in (50.8 x 40.64 cm)

  4. X Shift by Doug Warner, Image 1.

    Doug Warner

    X Shift, 1978

    Handmade paper

    15 x 21.875 in (38.1 x 55.56 cm)

  5. Edward Shalala

    Oil Landscape, 1974

    Mezzotint on paper

    17.5 x 19.5 in (44.45 x 49.53 cm)

  6. Simmons Jones

    Untitled, no date

    Gelatin silver print

    15.875 x 19.875 in (40.32 x 50.48 cm)

  7. Comb, Luba People, Congo by Unknown, Image 1.

    Unknown

    Comb, Luba People, Congo, 20th century

    Wood

    9 x 2.5 x 1 in (22.86 x 6.35 x 2.54 cm)

  8. Unidentified Man by Andy Warhol, Image 2.

    Andy Warhol

    Unidentified Man, No date

    Gelatin silver print

    8 x 10 in (20.32 x 25.4 cm)

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About the artist

Conrad Marca-Relli

American

1913-2000

American painter. Marca-Rellia began his first formal artistic training in New York when he was thirteen, taking night classes at a private art school. He studied for a year at Cooper Union Art School (1930) before establishing his own studio. Many of his paintings are large-scale collages, made of pieces of canvas or linen overpainted with substantial brushstrokes, some showing his experimentation with metals and synthetic plastics. Many of these collages depict multiple figures or architectural scenes. He is considered a pioneer of Abstract Expressionism.