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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. The Road to Nowhere, # 9 by Marti Corn, Image 1.

    Marti Corn

    The Road to Nowhere, # 9, 2018

    Archival pigment print

    13 x 13 in (33.02 x 33.02 cm)

  2. Untitled (C) by Joel Shapiro, Image 1.

    Joel Shapiro

    Untitled (C), 2003

    Woodcut printed on Gampi paper, mounted onto Hanga Dosa paper

    26.25 x 18.34 in (66.68 x 46.58 cm)

  3. Military Apparition, NYC, Social Context by Larry Fink, Image 1.

    Larry Fink

    Military Apparition, NYC, Social Context, 1987

    Gelatin silver print

    19.875 x 15.875 in (50.48 x 40.32 cm)

  4. Sawhorse #70 by Unknown, Image 1.

    Unknown

    Sawhorse #70, 1983

    Mixed media on paper

    9 x 9.25 in (22.86 x 23.5 cm)

  5. Benny Andrews, New York, N.Y. by William R. Ferris, Image 1.

    William R. Ferris

    Benny Andrews, New York, N.Y., 1982

    Gelatin silver print

    9 x 13.5 in (22.86 x 34.29 cm)

  6. Self Image by Anne Noggle, Image 1.

    Anne Noggle

    Self Image, 1981

    Gelatin silver print

    16.75 x 14 in (42.55 x 35.56 cm)

  7. Crystal Ball by Hunt Slonem, Image 1.

    Hunt Slonem

    Crystal Ball, 1980

    Silkscreen on paper

    22 x 30 in (55.88 x 76.2 cm)

  8. Self-Portrait by Jack Beal, Image 1.

    Jack Beal

    Self-Portrait, 1974

    Lithograph on paper

    31.25 x 28.5 in (79.38 x 72.39 cm)

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About the artist

Conrad Marca-Relli

American

1913-2000

American painter. Marca-Rellia began his first formal artistic training in New York when he was thirteen, taking night classes at a private art school. He studied for a year at Cooper Union Art School (1930) before establishing his own studio. Many of his paintings are large-scale collages, made of pieces of canvas or linen overpainted with substantial brushstrokes, some showing his experimentation with metals and synthetic plastics. Many of these collages depict multiple figures or architectural scenes. He is considered a pioneer of Abstract Expressionism.