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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Untitled by Huma Bhabha, Image 1.

    Huma Bhabha

    Untitled, 2021

    Digital archival print on Epson Hot Press Natural 330g/m2 paper

    20.875 x 19 in (53.02 x 48.26 cm)

  2. Boykins by Ryan O'Malley, Image 1.

    Ryan O'Malley

    Boykins, 2008

    Lithograph on paper

    30 x 22.125 in (76.2 x 56.2 cm)

  3. Shepard Fairey

    Power and Equality Angela, 1998

    Screenprint on paper

    24 x 18 in (60.96 x 45.72 cm)

  4. B Orange, from "Three Aquatints" portfolio by Robert Mangold, Image 2.

    Robert Mangold

    B Orange, from "Three Aquatints" portfolio, 1979

    Etching and aquatint on wove paper mounted to board

    43.625 x 40.75 in (110.81 x 103.51 cm)

  5. Silver I by Jonathan Clemens, Image 1.

    Jonathan Clemens

    Silver I, 1977

    Woodcut on paper

    24.5 x 17.5 in (62.23 x 44.45 cm)

  6. April's August by Peter Winslow Milton, Image 1.

    Peter Winslow Milton

    April's August, 1975

    Etching on paper

    31.5 x 19.25 in (80.01 x 48.9 cm)

  7. Rattan by Laura Grosch, Image 1.

    Laura Grosch

    Rattan, 1975

    Lithograph on paper

    21.125 x 30 in (53.66 x 76.2 cm)

  8. Sky Vision by Russell T. Gordon, Image 1.

    Russell T. Gordon

    Sky Vision, 1974

    Etching and aquatint on paper

    30.625 x 22.5 in (77.79 x 57.15 cm)

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About the artist

Seymour Lipton

American

1903–1986

American sculptor. Employed flexibility of sheet metal to portray the inner turmoil of the human psyche. Heavily influenced by fragmented form of Cubism, psychological undertone of Surrealism, and theme of human suffering of German Expressionism. Metal abstract sculptures were ripped apart to expose the layers of serrated metal as representations of man’s struggle for survival in a modern world.