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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. I am a man by Shepard Fairey, Image 2.

    Shepard Fairey

    I am a man, 2020

    Silkscreen on paper

    35.8 x 24 in (90.93 x 60.96 cm)

  2. Sherwin's Kinetic Contrasts 20 by Joelle Dietrick, Image 1.

    Joelle Dietrick

    Sherwin's Kinetic Contrasts 20, 2011

    Pigment inks on Hahnemuhle PhotoRag 308g

    19.75 x 27.5 in (50.17 x 69.85 cm)

  3. FULLMOON@NIKKO by Darren Almond, Image 1.

    Darren Almond

    FULLMOON@NIKKO, 2006

    Chromogenic print on aluminum

    47.75 x 47.75 in (121.29 x 121.29 cm)

  4. Silk Legs, Regines, NYC, Social Context by Larry Fink, Image 1.

    Larry Fink

    Silk Legs, Regines, NYC, Social Context, 1977

    Gelatin silver print

    19.875 x 15.875 in (50.48 x 40.32 cm)

  5. Pieta by Jean-Paul Riopelle, Image 1.

    Jean-Paul Riopelle

    Pieta, 1967

    Etching and aquatint on paper

    11 x 15 in (27.94 x 38.1 cm)

  6. Forbidding Gates, North Side, Dublin by Alen MacWeeney, Image 1.

    Alen MacWeeney

    Forbidding Gates, North Side, Dublin, 1965

    Archival pigment print

    19 x 13 in (48.26 x 33.02 cm)

  7. Composition Bleu by Wassily Kandinsky, Image 1.

    Wassily Kandinsky

    Composition Bleu, 1929

    Color lithograph on paper

    20.25 x 13.25 in (51.44 x 33.66 cm)

  8. Hungarian Landscape, from A Hungarian Memory Portfolio by André Kertész, Image 1.

    André Kertész

    Hungarian Landscape, from A Hungarian Memory Portfolio, 1914

    Gelatin silver print

    8 x 9.875 in (20.32 x 25.08 cm)

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About the artist

Robert Ecker

American

b. 1936

Robert Ecker was born in Pennsylvania and spent considerable time at the Washington County Museum of Fine Arts, which created and fostered his interest in art. He received his bachelor's degree from Shippensburg University, attended The Pennsylvania Academy of Fine Arts and received his MFA degree from Penn State in 1965. He taught in the Art Departments at Washington State University from 1965 to 1972 and the University of Colorado from 1972 until 2001. He began creating with mexxotints in 1977. His subject matter includes surrealist-inspired compositions, tromp l'oeil "windows", dreamlike scenes, and landscapes.