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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Plots on Loan by Raymond Pettibon, Image 1.

    Raymond Pettibon

    Plots on Loan, 2020

    Lithograph on paper

    19.625 x 13.75 in (49.85 x 34.93 cm)

  2. Robert Amberg

    Hoy Shelton Family Hanging Tobacco, Hopewell, North Carolina, 1983

    Gelatin silver print

    8.125 x 12.125 in (20.64 x 30.8 cm)

  3. Untitled, from Jamaica Botanical Series by William Eggleston, Image 1.

    William Eggleston

    Untitled, from Jamaica Botanical Series, c. 1978

    Chromogenic print

    13.875 x 16.875 in (35.24 x 42.86 cm)

  4. Morning Grass by Mark Tobey, Image 1.

    Mark Tobey

    Morning Grass, 1975

    Etching on rice paper

    26.5 x 20 in (67.31 x 50.8 cm)

  5. French Postcard Series by Peter Blake, Image 1.

    Peter Blake

    French Postcard Series, 1969

    Photo screenprint on board

    16.875 x 10.75 in (42.86 x 27.31 cm)

  6. Wallace "Pine Top" Johnson and Maudie Shirley, Clarksdale by William R. Ferris, Image 1.

    William R. Ferris

    Wallace "Pine Top" Johnson and Maudie Shirley, Clarksdale, 1968

    Gelatin silver print

    17 x 11 in (43.18 x 27.94 cm)

  7. Unknown title by June Rutledge, Image 1.

    June Rutledge

    Unknown title, c. 1910

    Oil on canvas

    25 x 30 in (63.5 x 76.2 cm)

  8. Smith Drug Store Cowboy by Gene Merritt, Image 1.

    Gene Merritt

    Smith Drug Store Cowboy

    Ink on paper

    11 x 8.5 in (27.94 x 21.59 cm)

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About the artist

Reginald Pollack

American

1921–2001

Reginald Pollack first studied art under Moses Soyer at the High School of Music and Art in New York. He served in World War II in the 87th Mountain Infantry, and post-war, Pollack studied the G.I. Bill in Paris and lived there until 1961. He began exhibiting works during the early 1950’s at the Peridot Gallery in New York where he also taught at Cooper Union and Yale University. Later, Pollack settled in Los Angeles in 1963 and exhibited at the Felix Landau and Jefferson Galleries. His works represent heavy influence by Cézanne and Bonnard with themes ranging from portraits to landscapes, as well as metaphysical images. In the early 1960’s, he developed a more efficient method of creating lithographs by utilizing a special plastic base. His works can be found at the Metropolitan Museum of Art, the Stanford University Museum of Art and many other museums.