Kahraman’s work includes painting, performance, and sculpture and it explores themes of gender and body politics and migrant life. A recurring motif in her work is female figures whom she envisions as extensions of her body. Rather than being self-portraits, these women are intended to convey the collective experience of brown bodies existing within Eurocentric ideals. Kahraman draws upon her experience as a female Iraqi émigré; at age 11, Kahraman’s family fled to Sweden to escape the Gulf War. Her subjects are often disfigured in some way, representing underlying colonial histories and the sense of displacement and detachment facing refugees.
Additional Artworks
From Van Every/Smith Galleries at Davidson College
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Raymond Pettibon
Plots on Loan, 2020
Lithograph on paper
19.625 x 13.75 in (49.85 x 34.93 cm)
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Chris Johanson
The Award of Self, 2009
Acrylic on cast resin mounted to recycled wood base
21 x 7 x 1.5 in (53.34 x 17.78 x 3.81 cm)
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Robert Johnson
Notebook Page - Neuse River, 2001
Watercolor and graphite on paper
10.875 x 7.5 in (27.62 x 19.05 cm)
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Phil Reid
Ebliette and her calves from Ayrshire Farm, Upperville, Virginia, 1987
Gelatin silver print
8.375 x 5.5714 in (21.27 x 14.15 cm)
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Andy Warhol
Farah Diba Pahlavi (Queen of Iran), 1976
Polaroid
4.25 x 3.375 in (10.8 x 8.57 cm)
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Robert Motherwell
Untitled, 1975
Etching and aquatint on Buff Arches paper
30.25 x 22 in (76.84 x 55.88 cm)
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Justin Knowles
D. Yellow, 1971
Screenprint on paper
29.25 x 42.25 x 1.375 in (74.3 x 107.32 x 3.49 cm)
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Louis Stettner
Car In Winter, Seventh Avenue, N.Y.C., 1956
Gelatin silver print
26.5 x 20.125 in (67.31 x 51.12 cm)
About the artist
Hayv Kahraman
Iraqi
b. 1981