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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Big Bend Panorama in 4 parts (far left) by Libbie J. Masterson, Image 1.

    Libbie J. Masterson

    Big Bend Panorama in 4 parts (far left), 2009

    Archival inkjet print

    16 x 24 in (40.64 x 60.96 cm)

  2. Project II by Garo Zareh Antreasian, Image 1.

    Garo Zareh Antreasian

    Project II, 1978

    Lithograph on paper

    20.75 x 26.5 in (52.71 x 67.31 cm)

  3. Fugue V by William Turnbull, Image 1.

    William Turnbull

    Fugue V, 1971

    Screenprint on paper

    23.125 x 31.675 in (58.74 x 80.45 cm)

  4. Bird by Herb Jackson, Image 1.

    Herb Jackson

    Bird, 1967

    Ink on paper

    12.75 x 16.875 in (32.39 x 42.86 cm)

  5. Car Wash, The Royal Canal, Dublin by Alen MacWeeney, Image 2.

    Alen MacWeeney

    Car Wash, The Royal Canal, Dublin, 1963

    Archival pigment print

    13 x 19 in (33.02 x 48.26 cm)

  6. The Anti-Archive of Trauma on the U.S.-Mexico Border by Susan Harbage Page, Image 1.

    Susan Harbage Page

    The Anti-Archive of Trauma on the U.S.-Mexico Border, 2007-2020

    Chromogenic print

    17 x 22 in (43.18 x 55.88 cm)

  7. Smiling Crowd by Reginald Marsh, Image 1.

    Reginald Marsh

    Smiling Crowd, no date

    Ink on paper

  8. Comb by Unknown, Image 1.

    Unknown

    Comb, 20th century

    Wood

    8 x 2.75 in (20.32 x 6.99 cm)

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About the artist

Adrian Van Suchtelen

Dutch

b. 1941

Born in Semarang, Indonesia, in 19941, Adrian Van Suchtelen then moved to the Netherlands in 1950. Following the Netherlands, he immigrated to the United States in 1957, where he eventually settled in Los Angeles, California. He attended El Camino College and Otis Art Institute. He then moved to Utah, where he spent thirty-seven years as a professor of drawing at Utah State University. He is best known for his painting and printmaking. His style is allegorical, intrigued by the metaphysical and metaphorical.