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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Polka Dots and the Moon Beams by George Raymond Kerciu, Image 1.

    George Raymond Kerciu

    Polka Dots and the Moon Beams, 1980

    Lithograph on paper

    22.25 x 15 in (56.52 x 38.1 cm)

  2. Double V by Doug Warner, Image 1.

    Doug Warner

    Double V, 1978

    Handmade paper

    28 x 12.375 in (71.12 x 31.43 cm)

  3. Dragon Flowers by Laura Grosch, Image 1.

    Laura Grosch

    Dragon Flowers, 1976

    Lithograph on paper

    39.5 x 32 x 1.5 in (100.33 x 81.28 x 3.81 cm)

  4. Down Wind by Herb Jackson, Image 1.

    Herb Jackson

    Down Wind, 1975

    Lithograph on paper

    11.125 x 14.5 in (28.26 x 36.83 cm)

  5. Dante, I Had Not Known That Death Had Undone So Many by Tom Phillips, Image 1.

    Tom Phillips

    Dante, I Had Not Known That Death Had Undone So Many, c. 1975

    Etching on paper

    25.5 x 19.5 in (64.77 x 49.53 cm)

  6. Nimes by Julian Trevelyan, Image 1.

    Julian Trevelyan

    Nimes, 1972

    Etching on paper

    23 x 31 in (58.42 x 78.74 cm)

  7. Evening 9:10, 461 Lenox Avenue by Romare Bearden, Image 1.

    Romare Bearden

    Evening 9:10, 461 Lenox Avenue, 1964

    Collage

    8.75 x 11 in (22.23 x 27.94 cm)

  8. White Square by Victor Vasarely, Image 1.

    Victor Vasarely

    White Square, ca. 1967

    Serigraph on paper

    26 x 26 x 1 in (66.04 x 66.04 x 2.54 cm)

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About the artist

Conrad Marca-Relli

American

1913-2000

American painter. Marca-Rellia began his first formal artistic training in New York when he was thirteen, taking night classes at a private art school. He studied for a year at Cooper Union Art School (1930) before establishing his own studio. Many of his paintings are large-scale collages, made of pieces of canvas or linen overpainted with substantial brushstrokes, some showing his experimentation with metals and synthetic plastics. Many of these collages depict multiple figures or architectural scenes. He is considered a pioneer of Abstract Expressionism.