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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Phil/Spitbite by Chuck Close, Image 1.

    Chuck Close

    Phil/Spitbite, 1995

    Spit bite aquatint on paper

    28 x 20 x 1.75 in (71.12 x 50.8 x 4.45 cm)

  2. Plum Tree of the Friendly Garden by Yoshida Toshi, Image 1.

    Yoshida Toshi

    Plum Tree of the Friendly Garden, c. 1980

    Woodblock on paper

    30.375 x 15.75 in (77.15 x 40.01 cm)

  3. K by Adrian Van Suchtelen, Image 1.

    Adrian Van Suchtelen

    K, 1980

    Lithograph on paper

    14.875 x 11.125 in (37.78 x 28.26 cm)

  4. Princeton Nude by Sigmund Abeles, Image 1.

    Sigmund Abeles

    Princeton Nude, 1977

    Lithograph on paper

    17.0625 x 20.875 in (43.34 x 53.02 cm)

  5. Three Bolts by John Henry, Image 1.

    John Henry

    Three Bolts, 1974

    Lithograph on paper

    23.125 x 16.25 in (58.74 x 41.28 cm)

  6. Amaryllis on Adire Cloth by Laura Grosch, Image 1.

    Laura Grosch

    Amaryllis on Adire Cloth, 1973

    Lithograph on paper

    22.125 x 29.75 in (56.2 x 75.57 cm)

  7. Les Banx by Julian Trevelyan, Image 1.

    Julian Trevelyan

    Les Banx, 1973

    Etching on paper

    24.125 x 30.625 in (61.28 x 77.79 cm)

  8. Figure Group by Michael Mazur, Image 1.

    Michael Mazur

    Figure Group, c. 1963

    Lithograph on paper

    23 x 29 in (58.42 x 73.66 cm)

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About the artist

Stanley William Hayter

English

1901–1988

An English painter and printmaker associated with the 1930s Surrealist movement. From 1940 onward, Hayter's work migrated more to the realm of Abstract Expressionism. He founded the legendary Atelier 17 studio in Paris in 1927. His is known for his works as a printmaker and painter, especially for his innovative work in the development of viscosity printing - a process that exploits varying viscosities of oil-based inks to lay three or more colours on a single intaglio plate.