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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Spirit Waves Fountain by Jesús Moroles, Image 2.

    Jesús Moroles

    Spirit Waves Fountain, 2003

    Texas pink granite and Fredericksburg granite

    112 x 454 x 454 in (284.48 x 1153.16 x 1153.16 cm)

  2. Untitled by Richard Kraft, Image 2.

    Richard Kraft

    Untitled, 1994

    Photograph and wood

    8.625 x 11.25 x 3.625 in (21.91 x 28.58 x 9.21 cm)

  3. Home by Tim Lowly, Image 4.

    Tim Lowly

    Home, 1991

    Plexiglass, oil and tempera on panel

    14 x 15 x 20 in (35.56 x 38.1 x 50.8 cm)

  4. Morning Glory Bowl (109891) by Edward Moulthrop, Image 1.

    Edward Moulthrop

    Morning Glory Bowl (109891), 1989

    Turned Georgia pine wood

    10.5 x 15.25 x 15.25 in (26.67 x 38.74 x 38.74 cm)

  5. Middle Pillar by Jeffrey Maron, Image 1.

    Jeffrey Maron

    Middle Pillar, 1985

    Bronze

    96 x 40.25 x 30.875 in (243.84 x 102.24 x 78.42 cm)

  6. Spiral Landscape by Jeffrey Maron, Image 2.

    Jeffrey Maron

    Spiral Landscape, 1982

    Etched copper alloy with polychrome oxides

    12.5 x 7.5 x 6.5 in (31.75 x 19.05 x 16.51 cm)

  7. Untitled Wedge by Beverly Pepper, Image 1.

    Beverly Pepper

    Untitled Wedge, 1980

    Steel

    26.25 x 11.25 x 7 in (66.68 x 28.58 x 17.78 cm)

  8. Three Planes of Existence by Jeffrey Maron, Image 1.

    Jeffrey Maron

    Three Planes of Existence, 1978

    Steel

    59 x 18 x 18 in (149.86 x 45.72 x 45.72 cm)

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About the artist

Mike McMahon

British American

b. 1943

British comic artist. McMahon studied graphic design and illustration at Chelsea School of Art. He is best known for his work in building the character of Judge Dredd for 2000 AD, a British science-fiction comic magazine. He also worked for the American publishers, notably in comics Batman: Ledgends of the Dark Knight, as well as The Last American and Tattered Banners. While his stylistic trajectory has gone through several changes, his drawings are rich in texture and are reminiscent of stylistic qualities of woodblock prints.