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Viewing collection The Shape of Language: Images & Text Clear context

Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Disclosures III by Shan Kelley, Image 1.

    Shan Kelley

    Disclosures III, 2013

    Needle-perforated parchment and printed paper

    35.75 x 24 in (90.81 x 60.96 cm)

  2. Disclosures II by Shan Kelley, Image 1.

    Shan Kelley

    Disclosures II, 2013

    Needle-perforated parchment and printed paper

    35.75 x 24 in (90.81 x 60.96 cm)

  3. Disclosures I by Shan Kelley, Image 1.

    Shan Kelley

    Disclosures I, 2013

    Needle-perforated parchment and printed paper

    35.75 x 24 in (90.81 x 60.96 cm)

  4. Bending Cypress by Ulysses Jackson, Image 1.

    Ulysses Jackson

    Bending Cypress, 2006

    Acrylic on canvas

    36 x 24.375 in (91.44 x 61.91 cm)

  5. Notebook Page - Julian Price Park Lake by Robert Johnson, Image 1.

    Robert Johnson

    Notebook Page - Julian Price Park Lake, 2001

    Watercolor and graphite on paper

    10.875 x 7.5 in (27.62 x 19.05 cm)

  6. The Prologue, Second Edition by Ronald King, Image 11.

    Ronald King

    The Prologue, Second Edition, 1978

    Book with silkscreens

    16.25 x 11.125 in (41.28 x 28.26 cm)

  7. 16. IX .65 by Scott Laurence, Image 1.

    Scott Laurence

    16. IX .65, 1968

    Etching on paper with poem by James Merrill

    21.25 x 10 in (53.98 x 25.4 cm)

  8. A Famous Pirate, Kyu-yemon Kezori (Matsukaze, Chapter 18: Kezori Kuemon), From series Ukiyo-e Comparisons of the Cloudy Chapters of Genji by Utagawa 歌川 Kuniyoshi 国芳, Image 1.

    Utagawa 歌川 Kuniyoshi 国芳

    A Famous Pirate, Kyu-yemon Kezori (Matsukaze, Chapter 18: Kezori Kuemon), From series Ukiyo-e Comparisons of the Cloudy Chapters of Genji, 1846

    Woodblock on paper

    14 x 9 in (35.56 x 22.86 cm)

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About the artist

Matt Kenyon

American

b. 1977

American sculptor. Kenyon is the new media sculptor and Associate Professor at Rhode Island School of Design. He is the head of SWAMP (Studies of Work Atmosphere and Mass Production). His work has been exhibited internationally and collected by institutions including the Museum of Modern Art in New York and FILE Prix Lux Art prize. He has had reproductions published in Wired and Gizmodo, A Touch of Code (Gestalten Press) and Adversarial Design (MIT Press). He was a TED fellow (2015) and a Macdowell fellow.