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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. La Joconde, Salle des Etats, Musee du Louvre, Paris, 2008, From the City Stages Portfolio by Matthew Pillsbury, Image 1.

    Matthew Pillsbury

    La Joconde, Salle des Etats, Musee du Louvre, Paris, 2008, From the City Stages Portfolio, 2013

    Platinum print

    11.25 x 8.75 in (28.58 x 22.23 cm)

  2. Collection #3 by Patrick Atkinson, Image 1.

    Patrick Atkinson

    Collection #3, 2005

    Mixed media on paper

    30.25 x 22.25 in (76.84 x 56.52 cm)

  3. Untitled #72 by Hellen van Meene, Image 1.

    Hellen van Meene

    Untitled #72, 1999

    Chromogenic print

    15.375 x 15.375 in (39.05 x 39.05 cm)

  4. Wor(l)d -- No Place, from the portfolio "Utopia" by Reny Rao, Image 1.

    Reny Rao

    Wor(l)d -- No Place, from the portfolio "Utopia", 1989

    Intaglio and screenprint on paper

    22.5 x 14.875 in (57.15 x 37.78 cm)

  5. Unidentified Woman (Red Ruby Earrings) by Andy Warhol, Image 1.

    Andy Warhol

    Unidentified Woman (Red Ruby Earrings), 1979

    Polaroid

    4.25 x 3.375 in (10.8 x 8.57 cm)

  6. Untitled by Dieter Roth, Image 1.

    Dieter Roth

    Untitled, 1978

    Pencil on paper

    19 x 25 in (48.26 x 63.5 cm)

  7. Untitled (roadside crew working on utility pole) by Berenice Abbott, Image 1.

    Berenice Abbott

    Untitled (roadside crew working on utility pole), 1954

    Gelatin silver print

    9.875 x 7.875 in (25.08 x 20.0 cm)

  8. The Ravisher by Albrecht Dürer, Image 1.

    Albrecht Dürer

    The Ravisher, 1495

    Engraving on paper

    5 x 3.375 in (12.7 x 8.57 cm)

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About the artist

Rick Horton

American

1954-1990

Rick Horton was an American artist and lawyer who experimented with photography, abstract paintings, and delicate collages. He was born in Concord, North Carolina, but spent most of his adult life in Washington D.C. and New York City. Starting out as a photographer, he then transitioned to collage and large oil paintings. Horton described his painting process as a visceral experience, using his fingers and describing painting as “reaching your hand down your throat” to unlock inner feelings.