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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Untitled (Justin Carr Memorial Charlotte Uprising Omni Hotel 2016) by Alvin C. Jacobs, Image 1.

    Alvin C. Jacobs

    Untitled (Justin Carr Memorial Charlotte Uprising Omni Hotel 2016), 2016

    Digital print

    16 x 23.875 in (40.64 x 60.64 cm)

  2. Eating Mist II by Nancy Baker, Image 1.

    Nancy Baker

    Eating Mist II, 2016

    Pigment prints, glitter, Mylar and acrylic on hand and laser cut paper, museum board

    43 x 33 x 3 in (109.22 x 83.82 x 7.62 cm)

  3. Untitled by Rick Horton, Image 1.

    Rick Horton

    Untitled, 1986

    Mixed media collage on board

    6 x 4.5 in (15.24 x 11.43 cm)

  4. Unidentified Woman (Short Dark Hair by Andy Warhol, Image 1.

    Andy Warhol

    Unidentified Woman (Short Dark Hair, 1980

    Polaroid

    4.25 x 3.375 in (10.8 x 8.57 cm)

  5. Self-Portrait as Printer by Dieter Roth, Image 1.

    Dieter Roth

    Self-Portrait as Printer, 1980

    Ink on paper

    9 x 13 in (22.86 x 33.02 cm)

  6. RG aXII by Carl Schwartz, Image 1.

    Carl Schwartz

    RG aXII, 1977

    Etching and aquatint on paper

    15 x 22 in (38.1 x 55.88 cm)

  7. Cape Cod Beach Scene by Harry Callahan, Image 1.

    Harry Callahan

    Cape Cod Beach Scene, c. 1975

    Gelatin silver print

    8.75 x 11.5 in (22.23 x 29.21 cm)

  8. Poly Vinal D by Conrad Marca-Relli, Image 1.

    Conrad Marca-Relli

    Poly Vinal D, 1968

    Screenprint on plastic

    18 x 18 in (45.72 x 45.72 cm)

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About the artist

Reginald Marsh

American

1898-1954

The American artist Reginald Marsh (1898-1954) was born in Paris, but his family soon moved to a small artist community in New Jersey. He Later completed his education at Yale University before moving to New York City. His primary focus were the marginalized groups and the “seedy underbelly of New York City.” His art practice took him to the homeless of downtown Manhattan, the streets of Coney Island, and the seaports. During this time, he provided “illustrations of the vaudeville acts” to the New York Daily News, The New Yorker, and the New Masses Marxist journal. He eventually rented a studio on the 14th Street in 1929 where his overarching vision as a painter developed. Fifteen one-man exhibitions of his work were held at New York’s Frank K. M. Rehn Gallery between 1930 and 1953.2 He later turned to teaching as he spent his later years at the Art Students League. He won the Gold Medal for Graphic Arts by the American Academy and the National Institute for Arts and Letters in his upcoming years. Today his works can be found at the Whitney Museum, Detroit Institute of Arts, Brooklyn Museum, and many other major American museums.