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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Tidelines 4 by Katie St. Clair, Image 1.

    Katie St. Clair

    Tidelines 4, 2022

    Acrylic, natural and synthetic dye, hand ground powdered charcoal, aerosol and gesso on canvas

    48 x 40 in (121.92 x 101.6 cm)

  2. Candy Bar by Stella Mae Pettway, Image 1.

    Stella Mae Pettway

    Candy Bar, 2017

    Jean, cotton, and flannel

    72 x 83 in (182.88 x 210.82 cm)

  3. Utah, 1964, from Garry Winogrand portfolio by Garry Winogrand, Image 1.

    Garry Winogrand

    Utah, 1964, from Garry Winogrand portfolio, 1978

    Gelatin silver print

    11 x 17 in (27.94 x 43.18 cm)

  4. A Line is Born by Judith Winston-Schlecter, Image 1.

    Judith Winston-Schlecter

    A Line is Born, 1978

    Screenprint on paper

    12.75 x 12 in (32.39 x 30.48 cm)

  5. Dieter Roth

    Bats, 1978

    Offset print

    19.8125 x 13.875 in (50.32 x 35.24 cm)

  6. Marauders I by Kenneth Kerslake, Image 1.

    Kenneth Kerslake

    Marauders I, 1977

    Photo etching on paper

    29.75 x 22.25 in (75.57 x 56.52 cm)

  7. Jeune Fille Aux Deux Oiseaux by Joan Miró, Image 1.

    Joan Miró

    Jeune Fille Aux Deux Oiseaux, 1967

    Etching on paper

    13.5 x 12.375 in (34.29 x 31.43 cm)

  8. Marriage A-la-Mode, Plate VI by William Hogarth, Image 1.

    William Hogarth

    Marriage A-la-Mode, Plate VI, 1797

    Engraving on paper

    14.5 x 17.25 in (36.83 x 43.82 cm)

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About the artist

André Kertész

Hungarian

1894–1985

Hungarian photographer. First began photographing while working as a clerk at the Budapest stock exchange in 1912. From 1925 he freelanced in Paris before moving to NYC in 1936 to photograph for magazines such as House and Garden of architecture and interiors. When he retired at age sixty-eight then he was able to return to his amateur days of photographing whatever it is his heart desired.