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Viewing collection Sculpture & Relief Clear context

Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Wind Sculpture (SG) I by Yinka Shonibare, CBE RA, Image 1.

    Yinka Shonibare, CBE RA

    Wind Sculpture (SG) I, 2018

    Steel armature with hand painted fiberglass resin cast

    275.5 x 100 x 78.75 in (699.77 x 254.0 x 200.03 cm)

  2. Canons by Cort Savage, Image 1.

    Cort Savage

    Canons, 2010

    3 rubber band balls and corresponding x-rays. Each x-ray reveals a bronze cast human skull holding a book in its mouth. One holds a copy of a Christian Bible, one holds a copy of the Hebrew Tanakh and one holds a copy of the Islamic Qur’an

    Dimensions variable

  3. Everything Everywhere is Already Alright by Cort Savage, Image 1.

    Cort Savage

    Everything Everywhere is Already Alright, 2004

    EPDM rubber bands, light box, x-ray, .32 caliber revolver, loaded and cocked

  4. Untitled by Joel Shapiro, Image 1.

    Joel Shapiro

    Untitled, 1995

    Bronze

    75 x 71 x 41 in (190.5 x 180.34 x 104.14 cm)

  5. Can You Pass the Color Bar? by Ce Scott-Fitts, Image 2.

    Ce Scott-Fitts

    Can You Pass the Color Bar?, 1991

    Mixed media on wood

    31.5 x 25.5 x 2.75 in (80.01 x 64.77 x 6.99 cm)

  6. Lighten Up by Ce Scott-Fitts, Image 1.

    Ce Scott-Fitts

    Lighten Up, 1991

    Mixed media

    31.5 x 23.125 x 2.75 in (80.01 x 58.74 x 6.99 cm)

  7. Logo Suite, M by Richard Smith, Image 1.

    Richard Smith

    Logo Suite, M, 1971

    Screenprint on paper

    23.75 x 19.625 x 2 in (60.33 x 49.85 x 5.08 cm)

  8. Logo Suite, B by Richard Smith, Image 1.

    Richard Smith

    Logo Suite, B, 1971

    Screenprint on paper

    23.75 x 19.625 x 2 in (60.33 x 49.85 x 5.08 cm)

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About the artist

Richard Smith

British

1931–2016

British painter. Known for semi-sculptural abstract works that resembled kites. Attended Luton School of Art, served in the Royal Air Force in Hong Kong, and received MFA from the Royal College of Art in London. Settled in New York in 1976, where he taught and crafted works that maintained a dialogue with Color Field painting and Pop Art.