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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Path in a field of high grass leading up to the cement border wall (Sendero a teavés de un campo ... by Susan Harbage Page, Image 1.

    Susan Harbage Page

    Path in a field of high grass leading up to the cement border wall (Sendero a teavés de un campo ..., 2014

    Color inkjet print on cotton rag paper

    17 x 22 in (43.18 x 55.88 cm)

  2. "Play House" or "Sustenance House" by Virginia Jochems-Atkins, Image 3.

    Virginia Jochems-Atkins

    "Play House" or "Sustenance House", 2004

    Box with large clay tablet with photo of an open door, 12 smaller tablets, 2 dancing wire figures

  3. Charlie Ritch, 2003 by Gene Merritt, Image 1.

    Gene Merritt

    Charlie Ritch, 2003, 2003

    Ink on paper

    11 x 8.5 in (27.94 x 21.59 cm)

  4. Untitled by Kristina Rogers, Image 1.

    Kristina Rogers

    Untitled, 1989

    Hand-colored gelatin silver print

    10 x 8 in (25.4 x 20.32 cm)

  5. Chitlin Supper by Ed Hogan, Image 1.

    Ed Hogan

    Chitlin Supper, 1980

    Lithograph on paper

    22.5 x 14 in (57.15 x 35.56 cm)

  6. Miss Willie by Brooke Cameron, Image 1.

    Brooke Cameron

    Miss Willie, 1977

    Etching on paper

    23.75 x 20 in (60.33 x 50.8 cm)

  7. Joan Crawford by Martin Kreloff, Image 1.

    Martin Kreloff

    Joan Crawford, 1975

    Lithograph on paper

    30 x 22 in (76.2 x 55.88 cm)

  8. Dramatic Works of Shakespeare - King Lear by John Boydell, Image 1.

    John Boydell

    Dramatic Works of Shakespeare - King Lear, 1803

    Engraving on paper

    19 x 24.75 in (48.26 x 62.87 cm)

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About the artist

Linda Foard Roberts

American

b. 1961

Linda Foard Roberts is an American photographer whose work is deeply rooted in themes of memory, time, and the personal narrative. She earned her BFA from the University of North Carolina at Charlotte and her MFA in photography from Arizona State University. Known for her use of traditional darkroom techniques, Roberts creates hand-printed, silver gelatin photographs often toned in sepia, imbuing her images with a sense of timelessness. Her work is included in the permanent collections of institutions such as the North Carolina Museum of Art, the Mint Museum, and the Museum of Fine Arts, Houston. Through her intimate and meditative approach, Roberts invites viewers to slow down and consider the emotional weight of everyday life.