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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Robert Amberg

    Hoy Shelton Family Hanging Tobacco, Hopewell, North Carolina, 1983

    Gelatin silver print

    8.125 x 12.125 in (20.64 x 30.8 cm)

  2. Pillow Jungle by Hunt Slonem, Image 1.

    Hunt Slonem

    Pillow Jungle, 1980

    Silkscreen on paper

    26 x 29.375 in (66.04 x 74.61 cm)

  3. Dark Glasses 2 by Robert Ecker, Image 2.

    Robert Ecker

    Dark Glasses 2, 1978

    Mezzotint on paper

    7 x 5 in (17.78 x 12.7 cm)

  4. Portrait by DeWitt Hardy, Image 1.

    DeWitt Hardy

    Portrait, 1974

    Lithograph on paper

    30 x 22 in (76.2 x 55.88 cm)

  5. Robyn Denny

    Light of the World, J, 1970

    Screenprint on paper

  6. Exterior Gallery Round the Ducal Palace by Joseph Nash, Image 2.

    Joseph Nash

    Exterior Gallery Round the Ducal Palace, 1834

    Lithograph on paper

    11.5 x 15 in (29.21 x 38.1 cm)

  7. Untitled (from "People of Color") by Joyce Tenneson, Image 1.

    Joyce Tenneson

    Untitled (from "People of Color"), 1985-2005

    Color instant print (Polaroid)

    29.75 x 21.875 in (75.57 x 55.56 cm)

  8. ICP Peter Beard Opening, New York, NY, November 1977 by Larry Fink, Image 2.

    Larry Fink

    ICP Peter Beard Opening, New York, NY, November 1977, 1977, printed 2019

    Archival pigment print

    22 x 17 in (55.88 x 43.18 cm)

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About the artist

Reginald Pollack

American

1921-2001

Reginald Pollack first studied art under Moses Soyer at the High School of Music and Art in New York. He served in World War II in the 87th Mountain Infantry, and post-war, Pollack studied the G.I. Bill in Paris and lived there until 1961. He began exhibiting works during the early 1950’s at the Peridot Gallery in New York where he also taught at Cooper Union and Yale University. Later, Pollack settled in Los Angeles in 1963 and exhibited at the Felix Landau and Jefferson Galleries. His works represent heavy influence by Cézanne and Bonnard with themes ranging from portraits to landscapes, as well as metaphysical images. In the early 1960’s, he developed a more efficient method of creating lithographs by utilizing a special plastic base. His works can be found at the Metropolitan Museum of Art, the Stanford University Museum of Art and many other museums.